This novel’s uneven focus detracts from its fresh voice and important expansion of narratives about adoption.
A transracially adopted girl struggles during high school and college.
Rowan Kelly, adopted from Korea by Catholic parents from Long Island, has never known another home. And yet, her classmates and community identify her by her differences, though she knows nothing of her birthparents or Korean culture. Rowan is confronted with this disconnect on her first day of kindergarten when she’s asked why she doesn’t look like her mother, and another child replies that it was because her "real mommy...didn’t want [her].” These words plant a deep-seated fear in Rowan that she has never really been wanted by anyone, not her birth mother or her parents (who adopted after failed fertility treatments). Rowan’s relationship with her mother grows ever more tumultuous, and in true teenage fashion, she can't convey her fear of abandonment. Once she moves to college, Rowan cuts off all contact with her family after her boyfriend becomes abusive, the beginning of years of isolation from everyone around her as she flunks out of school. This debut novel vividly details the awkwardness of high school and heartbreak of rejection. Rowan's first-person narrative voice provides sharp, devastating emotional insight in recalling these moments. Yet the novel opens with Rowan’s implying to a nurse that she was raped, a long hospital scene that is woven throughout the length of the book in between Rowan’s life stories. It's hard to know how to respond to these scenes, as Rowan’s emotional healing and reckoning with her decisions are told quickly rather than as part of the story. This is a significantly felt absence, especially given the serious nature of these scenes and the extended focus on her most traumatizing years.
This novel’s uneven focus detracts from its fresh voice and important expansion of narratives about adoption.Pub Date: June 23, 2020
ISBN: 978-1-61775-709-9
Page Count: 232
Publisher: Kaylie Jones/Akashic
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
The people in her books may screw up, but Hilderbrand always gets it right. Kind of amazing.
A dreamy Nantucket house party given by a meticulous hostess goes off the rails.
“When Hollis posts a potato and white cheddar tart with a crispy bacon crust, her foodie community breaks the one-million-member milestone. (Leave it to bacon!)” And leave it to Hilderbrand, in her 30th book of Nantucket-based fiction, to cook up more literary bacon, this time focusing on female friendship, female “friendship,” and the power of the internet and social media. When Hollis Shaw's doctor husband dies in a crash on the way to the airport, she steps back from Hungry With Hollis, her popular website. After moping around her house in “Swellesley” for a while, she returns to Nantucket for the summer, planning a kick-out-the-stops weekend party that will involve one girlfriend from each phase of her life—youth, college, motherhood—plus her favorite internet follower, an Atlanta-based airline pilot, whom she's never actually met. Two of these old pals are definitely not as close to Hollis as they once were, one of them has done her secret harm, and Hollis dramatically increases the potential for trouble by paying her angry 20-something daughter to document the weekend on film. Add two bottles each of Casa Dragones tequila, Triple 8 vodka, and Veuve Clicquot, plus some Hendricks gin and Mount Gay rum—what could possibly go wrong? Known for gently inserting social commentary into her plots, Hilderbrand here highlights the ridiculous fickleness of cancel culture when one of the characters—Dru-Ann, an extremely successful Black sports agent—almost loses her clients, her job, and her boyfriend when a video clip of a private conversation in a restaurant is posted on social media. Everyone says there's no way forward without a self-effacing apology. Dru-Ann says pass the Casa Dragones. Meanwhile, Hollis is about to learn that friendships forged on the internet are not always what they seem. Hilderbrand has announced plans to retire in 2024. Wait—that's next year! No!
The people in her books may screw up, but Hilderbrand always gets it right. Kind of amazing.Pub Date: June 13, 2023
ISBN: 9780316258777
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
PERSPECTIVES
SEEN & HEARD
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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