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WHEN LIFE GIVES YOU LULULEMONS

With rich people behaving scandalously on every page, this lemon is juicy and delicious.

Weisberger (The Singles Game, 2016, etc.) gives rich-lit fans a second spinoff of her best-known novel, The Devil Wears Prada, shifting her lens from long-suffering Andrea Sachs to Emily Charlton, the snippy fashionista who worked as top assistant to Runway magazine’s hellish editor, Miranda Priestly.

A decade after leaving Runway, Emily has successfully reinvented herself as a celebrity stylist and image consultant specializing in crisis management. But it’s her own career that’s in jeopardy when a hotshot rival starts luring away Emily’s Hollywood clients with millennial social media superpowers. Emily needs a big win or she may as well pack it up and head back to Runway. Thankfully, her childhood friend Miriam Kagan has just the gig for her. Miriam recently moved to tony Greenwich, Connecticut, where former supermodel and current senator’s wife Karolina Hartwell is hiding out after a brush with the law. Something about Karolina’s DUI arrest just doesn’t add up, though. Miriam dusts off her Harvard law degree and Emily kicks into high gear, discovering their friend Karolina has been set up by her husband, an ambitious politician with his eye on the White House. Now the three friends must take him down. Having a kick-ass girl posse is not only great fun, but essential for survival in this town filled with moms obsessed with SoulCycle, trophy kids, and plastic surgery—including having their vaginas “custom fit” for their husbands. In one scene, a designer-clad mom hosts a sex-toy party where the constant drumbeat is fear that husbands will abandon wives who aren’t smokin’ hot and sexually available at all times. (Every sex toy is discussed in terms of how much pleasure it will bring the men.) Emily, Miriam, and Karolina pose a refreshing contrast to the Greenwich moms who all seem to be swimming in the extremely shallow end of the pool.

With rich people behaving scandalously on every page, this lemon is juicy and delicious.

Pub Date: June 5, 2018

ISBN: 978-1-4767-7844-0

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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