Willig's sparkling series continues to elevate the Regency romance genre.
Espionage and romance continue to be great fun in another solid installment of the Pink Carnation series.
In her eighth series adventure, Willig (The Mischief of the Mistletoe, 2010, etc) takes a cue from Jane Eyre, presenting an orphaned governess as her latest heroine and, of course, spy. Miss Laura Grey has learned to hide her voluptuous beauty under a stern schoolmistress's guise. But when an opportunity to break out of her rut appears, she grabs it, landing an assignment that uses her real history as a governess to strike a blow for England in the ongoing Napoleonic wars. Assuming the French identity of her father and placed in charge of the children of the widowed revolutionary André Jaouen, Laura—now Laure Griscogne—discovers the Paris of her childhood has become a grim and fearful place. When an old family acquaintance nearly blows her cover, however, she begins to see a different side of her employer—and he of her. Although he apparently works at the Prefecture of Paris hunting enemies of the state, Jaouen has grown dismayed by the Reign of Terror, and the two may actually be on the same side. On the run, they learn to trust each other in order to not only survive but to protect his innocent children. The action builds up to an utterly predictable but enjoyable climax. Thanks to Willig's customary wit and sure hand with historical details, 19th-century France comes alive yet again in this volume. Laura is a solid heroine, headstrong and mature enough to be believable. And if the charged romance between the two is a little clichéd, readers of the series will hardly care. Only the series' contemporary framing device, featuring a Harvard researcher and her boyfriend, seems a little strained, but it takes up little space in this otherwise fast-paced and fun frolic.
Willig's sparkling series continues to elevate the Regency romance genre.Pub Date: Jan. 20, 2011
ISBN: 978-0-525-95199-5
Page Count: 416
Publisher: Dutton
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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