Willig’s novel has superior predecessors—Byatt’s Possession, Ackroyd’s Chatterton—but she brings an easy, contemporary charm...

THAT SUMMER

A New Yorker inherits a house in England where she discovers the tragic romance of a 19th-century ancestor caught up with the Pre-Raphaelite Brotherhood.

Though born in London, Julia has little memory of her childhood there. After her mother’s death in a car accident, she and her father moved to New York, where he came to prominence as a surgeon and she grew into a driven stock analyst. She’s been adrift since she was laid off, though, so the notification about inheriting a house from her great-aunt offers the break she needs. The house in Herne Hill jogs long-buried childhood memories: Her mother was raised there, and they visited her great-aunt often. On her first day back she’s surprised by a cousin, Natalie, who suspiciously offers to help. Nat then invites Nick, an antiques dealer, to get the house sorted out. Amid the bric-a-brac there are some notable paintings—a portrait of a stunning young woman hangs in the conservatory and a scene of Tristan and Isolde has been wrapped in linen and hidden in a closet. The chapters alternate between the story of Julia and Nick researching the paintings (and the windfall they may bring) and the life of the young woman in the portrait, Imogen Grantham, who finds herself unhappily married in 1849. She had thought she and her husband, Arthur, would share their love of antiquities, but after their marriage, Arthur treats her like a doll. It's only when the Pre-Raphaelites come to study Arthur’s collection that Imogen realizes what she’s been missing. Arthur asks one of the painters, Gavin Thorne, for a portrait of Imogen, and soon artist and model have begun an affair that will have deadly consequences. Meanwhile, Julia and Nick begin a summer romance that may cure their historic skittishness.

Willig’s novel has superior predecessors—Byatt’s Possession, Ackroyd’s Chatterton—but she brings an easy, contemporary charm to her characters, ensuring the perfect beach read.

Pub Date: June 3, 2014

ISBN: 978-1-250-01450-4

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 7, 2014

Kirkus Reviews Issue: May 15, 2014

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A unique story about Appalachia and the healing power of the written word.

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THE BOOK WOMAN OF TROUBLESOME CREEK

One of Kentucky’s last living “Blue People” works as a traveling librarian in 1930s Appalachia.

Cussy Mary Carter is a 19-year-old from Troublesome Creek, Kentucky. She was born with a rare genetic condition, and her skin has always been tinged an allover deep blue. Cussy lives with her widowed father, a coal miner who relentlessly attempts to marry her off. Unfortunately, with blue skin and questionable genetics, Cussy is a tough sell. Cussy would rather keep her job as a pack-horse librarian than keep house for a husband anyway. As part of the new governmental program aimed at bringing reading material to isolated rural Kentuckians, Cussy rides a mule over treacherous terrain, delivering books and periodicals to people of limited means. Cussy’s patrons refer to her as “Bluet” or “Book Woman,” and she delights in bringing them books as well as messages, medicine, and advice. When a local pastor takes a nefarious interest in Cussy, claiming that God has sent him to rid society of her “blue demons,” efforts to defend herself leave Cussy at risk of arrest, or worse. The local doctor agrees to protect Cussy in exchange for her submission to medical testing. As Doc finds answers about Cussy’s condition, she begins to re-examine what it means to be a Blue and what life after a cure might look like. Although the novel gets off to a slow start, once Cussy begins traveling to the city for medical testing, the stakes get higher, as does the suspense of the story. Cussy's first-person narrative voice is engaging, laced with a thick Kentucky accent and colloquialisms of Depression-era Appalachia. Through the bigotry and discrimination Cussy suffers as a result of her skin color, the author artfully depicts the insidious behavior that can result when a society’s members feel threatened by things they don't understand. With a focus on the personal joy and broadened horizons that can result from access to reading material, this well-researched tale serves as a solid history lesson on 1930s Kentucky.

A unique story about Appalachia and the healing power of the written word.

Pub Date: May 7, 2019

ISBN: 978-1-4926-7152-7

Page Count: 320

Publisher: Sourcebooks Landmark

Review Posted Online: Feb. 28, 2019

Kirkus Reviews Issue: March 15, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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