A dark, romantic mystery full of twists and turns.

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THE ENGLISH WIFE

In the late 1800s, a woman investigates the mysterious circumstances behind her brother’s death.

Janie Van Duyvil has always felt like a wallflower, even among her own family. Her brother, Bayard, and her cousin Anne were best friends, leaving her out. Her imposing mother clearly favored Bay while expecting Janie to follow all her orders. When Bay takes a trip to London, he comes home with a mysterious new wife, Annabelle. No one seems to know much about Annabelle’s past, especially not Janie. But when Janie and Anne find Bay dying during a lavish party at his house, a knife stuck in his chest, everything changes. Annabelle is nowhere to be found, and Janie is the only one who hears Bay’s final word: “George.” As people gossip and the papers invent stories about Bay and Annabelle, Janie wants to find out the truth. Rumors swirl: that Annabelle was having an affair, that Bay murdered her, and that Annabelle might actually have been an imposter. Together with a reporter named Burke (and against her mother’s wishes), Janie begins to secretly investigate Bay’s life and the circumstances behind his death. As she learns more, she starts to wonder whom she can trust. Is her own family hiding things from her? What about the man from Annabelle’s past who claims to know who she really was? And does Burke really care about her, or is he just using her to get a story? The multitude of characters can be a bit confusing at first, but as the plot picks up, the novel turns into an engaging read. Willig (The Other Daughter, 2015, etc.) creates a story that is full of rich historical details about the Gilded Age in New York—the jewels, the luxurious fashions, the opulent homes, and the scandal that lurked behind the beautiful exteriors. The mystery is not easily solved, and readers will find themselves guessing until the very end. And though the story is primarily about the mystery behind Annabelle and Bay, it also features a satisfying romance between Janie and Burke.

A dark, romantic mystery full of twists and turns.

Pub Date: Jan. 9, 2018

ISBN: 978-1-250-05627-6

Page Count: 384

Publisher: St. Martin's

Review Posted Online: Sept. 28, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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