BEYOND THE BRIGHT SEA

This book will make people want to run away to the Elizabeth Islands.

It’s the 1920s. Crow and her adoptive father, Osh, live in a tiny house on a tiny island off Cape Cod, but her descriptions make it seem strange and mysterious. The cottage is “built from bits of lost ships,” and it’s full of found treasures: “a pair of sun-white whale ribs arched over our doorway, a tarnished ship’s bell hanging from their pinnacle.” Every chapter in the book has a new mystery to be solved: why was Crow sent away in an old boat when she was a baby? Why is a fire burning on an abandoned island? Did Capt. Kidd really hide treasure nearby? But some readers will love Wolk’s use of language even more than the puzzles. Crow says her skin is “the same color Osh [makes] by mixing purple and yellow, blue and orange, red and green.” (The race of the characters isn’t always identified, but Osh says, “I came a long, long way to be here,” and his native language and accent make him sound “different from everyone else.”) The pacing of the book isn’t always as suspenseful as it should be. There are a few lulls, which the author tries to fill with heavy foreshadowing. But the mysteries—and the words that describe them—are compelling enough to send readers to the islands for years to come.

A beautiful, evocative sophomore effort from Newbery honoree Wolk (Wolf Hollow, 2016).