The Marx Brothers meet the mob; recommended especially for readers who grew up in the Bronx.
A comic crime caper debut novel, set in the Bronx in the late 1950s, features an engaging hero and a large cast of characters with nicknames such as “Sally Bats,” “Nicky Eyes,” and “Shmoogie.”
The story’s protagonist and narrator is known simply and aptly as “New Einstein.” He’s bright, resourceful, and likable, lives with his beloved grandmother, and is always willing to take a chance and make a buck. His only exposure to formal education was an accounting course, and he was brilliant at it. A corrupt cop—in this book, seemingly everyone is corrupt—gets him entrée to the mob at Mafioso Vinnie Ruggiero’s auto-wrecking yard. Soon he’s indispensable and gets noticed by Dom, the boss himself, who gives the young man various challenges to test his mettle and loyalty. These include moving a shipment of guns to Ireland, blackmailing a city commissioner who’s obstructing the mob’s interests, and finally, pulling off a diamond heist. During the last task, the protagonist takes it upon himself to sideline his mortal enemy, Nicolo DeMatta (the aforementioned “Nicky Eyes”), a favorite of Dom’s. Along the way, he also meets Merri Steagal, a blond Southern belle from Mississippi, and is instantly smitten, although it turns out that she’s working for Nicky. At the end, New Einstein, his grandmother, and Merri celebrate Christmas morning at Krum’s, a Bronx ice cream parlor. Overall, this book is clever, witty, and fast-moving. The caper setups are unbelievably elaborate and almost mesmerizing in their detail. One, in which the main characters set out to foil a crack squad of tax agents from Albany, is Byzantine in its complexity; author Stein is an accountant himself, and he must be a fearfully good one. In another, the comic situation is similarly elaborate and well-played, involving flatulence and other crudity. There are also some clever lines, such as “The carrot was cold, hard cash. The stick was cold, hard stick.”
The Marx Brothers meet the mob; recommended especially for readers who grew up in the Bronx.Pub Date: Oct. 21, 2017
ISBN: 978-1-5323-5364-2
Page Count: 328
Publisher: CreateSpace
Review Posted Online: May 16, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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