Next book

THE FOUR-DIMENSIONAL HUMAN

WAYS OF BEING IN THE DIGITAL WORLD

More Adorno than Negroponte but of interest to students of contemporary first-world culture.

Is Airbnb the beginning of our end? Perhaps not, but, as this elegant meditation explores, it’s just one more sign of our sterile, disembodied times.

British social critic Scott’s (English and Creative Writing/Arcadia Univ.) essay on the disembodiment and dislocation that come with technology has promise, at first, of being a kind of manifesto of the sort Jaron Lanier might issue, but it soon settles into a coolly McLuhan-esque treatise, rich in reference to the likes of Virginia Woolf and Walter Benjamin, on our dematerialized condition. Whereas Lanier, for instance, might take an alarmed view of the political implications of a world in which “the moments of our lives audition for digitization,” Scott is more inclined to the existential and philosophical: we are both anonymous and exhaustively identified, seen and unseen, physical and virtual, isolated and connected, and, thanks to social media, everywhere at once. It is this last truth that lends credence to Scott’s fruitful notion that we are all suddenly four-dimensional beings who can escape the ordinary laws of physics that bound us to time and place: “Where do our bodies begin and end in a networked world?” The answer is a little scary: at least the images that Scott conjures of the 1950s sci-fi denizen known as 4D Man suggest that our newfound “ability to slip through solid objects” may not be altogether a good thing. On the other hand, it may not be bad, either. As Scott writes, the novelist A.S. Byatt has observed that even though modern passers-by seem to have their eyeballs glued to their phones, “overall they seem happier than strangers did in her earlier years.” Happier, perhaps, but certainly more tired, endlessly working to serve our technology. And more alike as well: Scott quotes Zadie Smith as noting that social media “can enforce uniformity,” shouting us down into a kind of digital sameness that, he adds, “inevitably entails a constricting of personality.”

More Adorno than Negroponte but of interest to students of contemporary first-world culture.

Pub Date: Aug. 9, 2016

ISBN: 978-0-393-35307-5

Page Count: 272

Publisher: Norton

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Next book

SEVEN BRIEF LESSONS ON PHYSICS

An intriguing meditation on the nature of the universe and our attempts to understand it that should appeal to both...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Italian theoretical physicist Rovelli (General Relativity: The Most Beautiful of Theories, 2015, etc.) shares his thoughts on the broader scientific and philosophical implications of the great revolution that has taken place over the past century.

These seven lessons, which first appeared as articles in the Sunday supplement of the Italian newspaper Sole 24 Ore, are addressed to readers with little knowledge of physics. In less than 100 pages, the author, who teaches physics in both France and the United States, cogently covers the great accomplishments of the past and the open questions still baffling physicists today. In the first lesson, he focuses on Einstein's theory of general relativity. He describes Einstein's recognition that gravity "is not diffused through space [but] is that space itself" as "a stroke of pure genius." In the second lesson, Rovelli deals with the puzzling features of quantum physics that challenge our picture of reality. In the remaining sections, the author introduces the constant fluctuations of atoms, the granular nature of space, and more. "It is hardly surprising that there are more things in heaven and earth, dear reader, than have been dreamed of in our philosophy—or in our physics,” he writes. Rovelli also discusses the issues raised in loop quantum gravity, a theory that he co-developed. These issues lead to his extraordinary claim that the passage of time is not fundamental but rather derived from the granular nature of space. The author suggests that there have been two separate pathways throughout human history: mythology and the accumulation of knowledge through observation. He believes that scientists today share the same curiosity about nature exhibited by early man.

An intriguing meditation on the nature of the universe and our attempts to understand it that should appeal to both scientists and general readers.

Pub Date: March 1, 2016

ISBN: 978-0-399-18441-3

Page Count: 96

Publisher: Riverhead

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

Next book

THE MAKING OF THE ATOMIC BOMB

A magnificent account of a central reality of our times, incorporating deep scientific expertise, broad political and social knowledge, and ethical insight, and Idled with beautifully written biographical sketches of the men and women who created nuclear physics. Rhodes describes in detail the great scientific achievements that led up to the invention of the atomic bomb. Everything of importance is examined, from the discovery of the atomic nucleus and of nuclear fission to the emergence of quantum physics, the invention of the mass-spectroscope and of the cyclotron, the creation of such man-made elements as plutonium and tritium, and implementation of the nuclear chain reaction in uranium. Even more important, Rhodes shows how these achievements were thrust into the arms of the state, which culminated in the unfolding of the nuclear arms race. Often brilliantly, he records the rise of fascism and of anti-Semitism, and the intensification of nationalist ambitions. He traces the outbreak of WW II, which provoked a hysterical rivalry among nations to devise the bomb. This book contains a grim description of Japanese resistance, and of the horrible psychological numbing that caused an unparalleled tolerance for human suffering and destruction. Rhodes depicts the Faustian scale of the Manhattan Project. His account of the dropping of the bomb itself, and of the awful firebombing that prepared its way, is unforgettable. Although Rhodes' gallery of names and events is sometimes dizzying, his scientific discussions often daunting, he has written a book of great drama and sweep. A superb accomplishment.

Pub Date: Feb. 1, 1986

ISBN: 0684813785

Page Count: 932

Publisher: Simon & Schuster

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: Jan. 15, 1986

Close Quickview