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THE TOM SAWYER FIRES by Laurence Yep

THE TOM SAWYER FIRES

by Laurence Yep

Pub Date: Oct. 15th, 1984
Publisher: Morrow/HarperCollins

Who's the arsonist on the loose in Civil War-era San Francisco? That's the mystery this time for the heroes of The Mark Twain Murders—journalist Mark Twain (the very same) and the 15-year-old urchin/narrator who calls himself "the Duke of Baywater." The Duke, hungry and prowling around warehouses for valuable trash, witnesses an explosion at a chemical factory; the only clue is a nearby van bearing the name of a photographer. So when the fire attracts newsman Mark Twain to the scene, the co-sleuths again team up, with assistance from mustachioed fireman Tom Sawyer. They're just in time to see another fire break out during the parade welcoming a star-actress ("the Pritchard") to the local theater. And, just by coincidence, the theater's tart/sweet old costume-lady, Letty Cleary, has a connection to the mystery-photographer—who seems to be planning bigger, more dangerous fires, aimed at San Francisco's pro-Union establishment. Could it possibly be, then, that the arch-villain is once again Major St. John, the Confederate spy who plotted to rob the San Francisco Mint in The Mark Twain Murders? Yes, indeed, the presumed-dead Major—"so cold and calculating that he was beyond maean"—is still alive, posing as a photographer, and up to no good. He captures the heroes briefly, coolly kills dear Letty. (Her death is a little disturbing in such a light, comic-booky caper.) Escapes, gun-waving, and another capture ensue—as the heroes chase the Major through a society costume-ball. But, though locked up in a burning room, the good guys escape again. . . in time to defuse all the arsonist's infernal contraptions. As before, Yep gives the real Mark Twain little color or substance; the Tom Sawyer character is lackluster too, with no kinship to the fictional lad. (According to the foreword, there was a real S.F. fireman who claimed to have inspired Twain's creation.) But this less elaborate sequel is another bright, quick, folksy adventure—at its best in the period touches, especially the firefighting details.