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THE HEALER'S RUNE

Impressive storytelling and assured characterization; sows seeds for books to follow.

A woman has the chance to help free humans from an elfin race that has tyrannized them for centuries in Matuska’s debut and start of a proposed fantasy series.

Sabine Rhyonselle is just one of the humans living in the village of Khapor 300 years after the War of the New Dawn devastated the world of Ceryn Roh. The Council of Races, once consisting of humans, the elfin Rüddan, the now-extinct Aethel, and the nearly extinct Dryht, is presently an alliance between humans and Rüddan. The latter, however, treat humans like slaves, enforcing edicts that prohibit reading or the practicing of magic—under penalty of death. After Sabine’s friend Mariel, who’s a healer like Sabine, is publicly executed for possessing scrolls with writing, mentor Auda reveals that Mariel had a record of the true history of the races. This may, for one, call into question humanity’s treaty with the Rüddan. Sabine later encounters and aids an injured stranger who knew her late father, who, she learns, may have been capable of magic and had ties to a rebellion against the Rüddan. It’s best Sabine avoid drawing attention to herself, but she certainly plans on defying the recent Rüddan order restricting births, which would require the healer to kill infants. Matuska combines evocative prose—“The early autumn sky blushed pale pink with the first glow of pre-dawn”—with darker elements, like the nearby ruins of the Dryht city. Sabine is a superb protagonist, overcoming oppression as a human and more specifically as female; she’s afforded far fewer rights than men. There’s an array of twists, involving everything from individuals’ origins and relations to one another to abilities wielded by characters both good and bad. The ending is bound to leave readers pining for a sequel.

Impressive storytelling and assured characterization; sows seeds for books to follow.

Pub Date: March 2, 2017

ISBN: 978-1-946758-02-6

Page Count: 326

Publisher: Brimstone Fiction

Review Posted Online: March 20, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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