Confusing, directionless, and unremarkable.
If the Heathers had had smartphones.
Olivia has spent years in the shadow of her best friend, popular cruel girl Adrienne. When she catches Adrienne and her boyfriend, Ryan, in flagrante, Olivia takes revenge by sending screen shots of incriminating texts from Adrienne’s phone to their peers but makes the mistake of not actually reading what she’s forwarding. As a result, Olivia reveals some very sensitive information, including outing their friend Claire as a lesbian. Olivia then sets out to atone for her mean-girl ways by trying to knock Adrienne off her throne and stop her reign of terror. She associates herself with nice guy Whit, school golf champ and salutatorian, whom Adrienne hates. If people think Olivia is going out with Whit, they’ll see she’s better than Adrienne, won't they? The characters’ whingeing back and forth about who’s the worst human being is tedious, and their motivations are often confusing. Olivia rejects “dyke” as a pejorative, but repeated, unquestioned use of “slut” may not sit well with some readers. Olivia’s small South Carolina town appears to be all-white. Adrienne is described as “dark,” both in personality and appearance, with dark hair and eyes and ambiguously “tan” skin; another girl has brown skin, but most characters who merit a description are blond.
Confusing, directionless, and unremarkable. (Fiction. 15-17)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-08286-2
Page Count: 352
Publisher: Imprint
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
This sophomoric sophomore effort reads like a rough draft for a screenplay…which it may well be.
High school senior Carson Phillips will get into Northwestern and be the youngest freelance journalist published in all the major outlets, and he’s not above blackmail to get there.
Although he’s single-handedly kept the Clover High Chronicle in print and the Writing Club functioning (by teaching the journalism class, one of many credulity-stretching details) for years, Carson is worried that he won’t get into his dream school. The acceptance letter will be his ticket out of the backward town of Clover which, like high school, is peopled by Carson’s intellectual inferiors. When his counselor suggests he edit and submit a literary magazine with his application, Carson and his dim, plagiaristic sidekick Malerie hatch a scheme to blackmail a chunk of the student body into submitting work. Colfer’s joyless and amateurish satire is little more than a series of scenes that seem to be created as vehicles for lame and often clichéd one-liners. Once Carson’s bullied his classmates (stereotypes one and all) into writing for him, he develops a soul and dispenses Dr. Phil–worthy advice to his victims—and he’s confused when they don’t thank him. Carson is so unlikable, so groundlessly conceited that when lightning literally does strike, readers who’ve made it that far may well applaud.
This sophomoric sophomore effort reads like a rough draft for a screenplay…which it may well be. (Fiction. 15-17)Pub Date: Nov. 20, 2012
ISBN: 978-0-316-23295-1
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Busy, but at least there’s a death ray
A pair of teen detectives bops between London and Cairo in a steampunk adventure that would probably make a better movie than it does a book.
Octavia Nightingale and Sebastian Tweed return in this sequel to The Lazarus Machine (2012), solving mysteries in a Victorian London jam-packed with automatons powered by human souls and carriages running on Tesla turbines. Their search for Octavia’s kidnapped mother entangles them in a larger mystery, with missing scientists and Egyptophile cultists around every corner. Each solved puzzle reveals a further complication: traitors, lizard people, rocket launchers—even a secret world. Perhaps the number of threads is too many to keep under control; some characters are dropped abruptly, while one major arc comes to a character-building ending without ever developing through a beginning or middle. The overall mystery is impenetrable, but the set dressing of “vacuum tubes and wiring...tools and gears, clocks, glass beakers filled with strange liquids, and disassembled automatons” makes the right backdrop for a novel that climaxes with an airship-vs.-ornithopter dogfight over London. Purists take note: Among the myriad errors and inconsistencies are copious anachronisms detracting from the Victorian feel.
Busy, but at least there’s a death ray . (Steampunk. 15-17)Pub Date: Oct. 15, 2013
ISBN: 978-1-61614-857-7
Page Count: 295
Publisher: Pyr/Prometheus Books
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
BOOK REVIEW
BOOK REVIEW
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