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Like a Bird

Frequently sexual if not always sensual; those entranced by such a libertine setup will be eager to see how it all plays out.

From debut author Varga comes a dark romance novel about a reclusive investor and the two women who command his attention.

Gareth Renaut is the type of recluse wealthy enough to pursue his interests no matter the circumstances. It’s not that Gareth doesn’t interact with people—he’s aided by a dedicated assistant as well as a pet wolf named Wisdom—it’s that even those closest to him remain at a distance. As his longtime friend Louis says, “Nobody knows you, Gare.” When Louis drops by via helicopter to persuade Gareth to join him for a night on the town, Gareth is reluctant though ultimately compliant. Such compliance nets him not only a quickie with a voluptuous woman named Kitty—“She pushed harder into his groin, and he grabbed her thigh with one hand and her ass with the other”—but also an encounter with a one-armed girl of 19 whom Gareth decides to keep in a cage, at least for a little while. It is a lifestyle with which Gareth is familiar, though he apparently has not engaged in it for some time. “He hadn’t planned on jumping back into this game again. At least, not so soon,” readers are told. The girl, who calls herself Sky, may like “books and dogs,” but her motivation in life remains mysterious, particularly as she views her current situation with a large degree of nonchalance. As the perceptive reader might suspect, a love triangle of sorts develops among Gareth, Sky, and Kitty, but where exactly will it end? With his home gym—Gareth is, after all, “a glossy, muscular machine”—well-stocked library, and opaque past, Gareth is certainly a familiar, by now even dull, archetype. What keeps the book moving is the lingering question of his ultimate plans for these two women. When troubled histories are uncovered, there is certainly a lot to discuss between semiviolent sexual encounters. As Kitty explains to her roommate, “Sometimes he scares me in a fun way and then sometimes he’s just…too intense.”

Frequently sexual if not always sensual; those entranced by such a libertine setup will be eager to see how it all plays out.

Pub Date: July 1, 2015

ISBN: 978-0-9948159-1-0

Page Count: 256

Publisher: Brain Sugar Media

Review Posted Online: Sept. 23, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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