A wholly original Holocaust story: as outlandish as it is poignant.

A MAN LIES DREAMING

A down-on-his-luck Hitler, now working as a private detective in London, searches for a missing Jewish girl in this wild, noir-infused alternative history from genre-bender Tidhar (Osama, 2011, etc.)

After the communists take over Germany in the early 1930s, the one-time leader of the National Socialists, now calling himself Wolf, escapes to London, where he tweaks his appearance ever so slightly (“He could no longer abide the moustache”) and sets up shop as a gumshoe. His need for cash supersedes his virulent anti-Semitism, and soon he's in the employ of Isabella Rubinstein (“a tall drink of pale milk”), on the hunt for her sister, who was smuggled out of Germany by ex-Nazis but seems to have vanished. If the proceedings sound pulpish, it’s because they're the imaginings of Shomer, once a “purveyor of Yiddish shund”—lowbrow detective stories and the like—now a prisoner at Auschwitz. Tidhar deftly shifts between these two worlds, dedicating the majority of the novel to Wolf’s “fictional” London of 1939 but also illuminating Shomer’s horrible reality, all the while crafting a mystery that is absorbing in its own right. As Wolf hunts for the girl, he begins to investigate his former associates, and Tidhar has good fun populating the story with real-life characters whose lives have taken unexpected turns: Hermann Göring is now “a simple pimp,” Leni Riefenstahl works for Warner Bros. The presence of a Hitler-obsessed serial killer and Wolf’s association with Oswald Mosley, the British Fascist now running for prime minister, keep things moving. The story isn’t for the weak of heart: Tidhar/Shomer revels in describing Wolf’s sexual proclivities, and at least one torture scene won’t be easy for readers to forget. But though at times the narrative feels almost farcical, Shomer’s presence imbues it with unexpected weight, resulting in an ending that is more gut punch than punch line.

A wholly original Holocaust story: as outlandish as it is poignant.

Pub Date: March 8, 2016

ISBN: 978-1-61219-504-9

Page Count: 288

Publisher: Melville House

Review Posted Online: Dec. 23, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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