by Lawrence Buell ‧ RELEASE DATE: Feb. 3, 2014
Although readers will encounter many usually canonized suspects, Buell’s scope is wide enough to encompass the varieties of...
A history and investigation of a literary concept that has “refused to die.”
The idea of the Great American Novel (nicknamed GAN by Henry James) as a writer’s golden quest seemed to Buell (American Literature/Harvard Univ.; The Future of Environmental Criticism, 2005, etc.) to have devolved from its 19th-century origins to become a media cliché not worth more consideration than “a brisk, short narrative.” However, the author became intrigued as he looked at some of the works proposed for the honorific. Could any novel, as novelist John W. De Forest asked in 1868, capture “the American soul”? That question reflected anxieties about “national cultural legitimacy” when expansionism and post–Civil War reunification raised nettling concerns about the nation’s identity. These questions, Buell contends, are still worth asking, even though the country’s “fractious heterogeneity” has led to the idea of plural GANs. What, he asks, can thinking about GANs reveal “about how the novels in question work, about national culture generally, about novels as carriers or definers of cultural nationality, and about what value to set on all that—whether it’s cultural asset or cultural baggage”? He responds by proposing that a GAN needs to meet one of four criteria: to be reimagined by later authors (e.g., The Scarlet Letter); to trace the life of a typically American type (e.g., The Great Gatsby); to consider the impact of social, ethnic or racial divisions (e.g., Uncle Tom’s Cabin; Beloved); or to reflect on the complications of democracy and “the imperiled social collective” (e.g, Dos Passos’ U.S.A.). Buell, whose major scholarship has focused on transcendentalism and, more recently, environmentalism, takes a conversational and sometimes-humorous tone as he offers perceptive analyses of novels and their receptions, especially by those who championed their choices as GANs.
Although readers will encounter many usually canonized suspects, Buell’s scope is wide enough to encompass the varieties of novelists’ imaginations and to consider the implications of multiculturalism and globalism in redefining the future of American fiction.Pub Date: Feb. 3, 2014
ISBN: 978-0-674-05115-7
Page Count: 500
Publisher: Belknap/Harvard Univ.
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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