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CHARLENE

A compassionate, sometimes surprising, and always entertaining portrayal rising above a confining community.

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Under the watchful eye of her small-town neighbors in rural Virginia, an outsider struggles to belong in Helms’ novel.

Charlene Via, in her own estimation, is “a thirty-year-old woman that a lot of people around here say is…well, I’ll just say it—trashy.” Working behind the counter of a convenience store connected to a Marathon gas station, she is asked for advice and support from Luke Lyman, a 17-year-old German Baptist who was kicked out of his church, home, and job after his father discovered him looking at pictures of other men. Charlene lives in a trailer with limited space, but she thinks that the local Methodist pastor, Bob Munford, might be able to help Luke. Little does Charlene know that Bob is in the middle of his own self-proclaimed midlife crisis, breaking up with his wife and Jesus at the same time as he starts to doubt his purpose (“I feel like I’ve been living a lie for a long time, and I don’t want to start this new life with a bigger one”). The opening chapters alternate between the close third-person perspectives of Charlene and Bob, but the narrative expands once Bob tries to seek help for Luke. He contacts the church’s outreach director, who does not support Bob’s more open “liberal-like” ways and begins mounting a campaign that gets Bob barred from his own church by committee decision. He still invites Luke to stay with him before he’s kicked off the church property, but Luke soon runs away. While this is more than enough conflict to propel a novel, Helms continues to add complications by introducing Charlene’s abusive husband back into town. His actions soon escalate into a violent act, the aftermath of which takes up most of the novel’s second half.

While the narrative is a bit overlong and occasionally spins its own wheels in small-town melodrama, Helms’ development of the characters is consistently incisive. None among his collection of misfits comes across as a stereotype; each has their own backstory—including a colorful struggling songwriter and a town gossip who regularly meets with Pastor Bob despite being far from religious. Charlene, whom the reader eventually learns is of Melungeon heritage (“this mishmash of Portuguese and Black and Native American”) is particularly compelling in her attempts to transcend her past and present circumstances by bettering herself via community college and making connections with people of substance. The dialogue is sharp, capturing the rhythms and contradictions of small-town life with authenticity and wit (“We helped those people from Somalia a few years back and they were Moslems or Muslims or whatever they call themselves. I don’t see much difference. You don’t have to agree with somebody to help them”). As the story progresses, Helms continues to expand the novel’s supporting cast, introducing characters whose lives orbit around Charlene and Bob. These additional perspectives add texture and depth, though they occasionally divert attention from the core narrative. The text runs over 500 pages—the abundance of characters and subplots may stretch the patience of some readers who crave a tighter focus. Still, even with its sprawling scope, Helms ultimately succeeds in pulling the story’s threads together.

A compassionate, sometimes surprising, and always entertaining portrayal rising above a confining community.  

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: June 14, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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