The settings may be imaginary, but the perils rendered here are as real as the front-page stories in this morning's...

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THE ILLEGAL

A Commonwealth Award–winning writer threatens to make readers of this breakneck thriller as out-of-breath as its long-distance–running hero.

African-Canadian novelist Hill (Someone Knows My Name, 2007, etc.) ramps up thematic urgency in this white-knuckler set three years in the future in two mythical countries, Zantoroland, a dystopian black nation (suggesting, but never specifying, an African locale), and Freedom State, which could stand for any relatively prosperous multicultural democracy seeking a clamp-down on its surge of illegal immigrants. Among the latter is Keita Ali, a gifted marathoner literally running for his life to the Freedom State from his native Zantoroland—where his father, a dissident journalist, was savagely murdered. Though he is, so to speak, freer to run road races in his new homeland, Keita doesn’t find much safety there as he competes under an assumed name (that of famed British miler Roger Bannister) and is exploited by a slimy track-and-field agent who, it turns out, is just one of many corrupt individuals of every color and social strata treating even legally documented immigrants with malign intent. Kidnapping, blackmail, murder, and looming scandal further complicate and eventually endanger Keita’s life; the only people he can trust include a comely policewoman he meets during a race, a plucky ninth-grade documentarian, an ambitious wheelchair-bound lesbian journalist, and a kindly old woman with keen survival instincts. Even with their respective quirks, these and other characters seem like stock types straight out of a made-for–TV thriller, as does the often chaotic plot. Yet Hill skillfully injects details throughout of the vicissitudes and travails faced by any person, no matter what color or ethnicity, struggling to escape from strife-ridden, life-threatening conditions in their own countries. Even the simple act of using a library computer carries ominous ramifications for any "illegal."

The settings may be imaginary, but the perils rendered here are as real as the front-page stories in this morning's newspaper about refugees desperate for safety in Western countries reluctant to welcome them.

Pub Date: Jan. 25, 2016

ISBN: 978-0-393-07059-0

Page Count: 384

Publisher: Norton

Review Posted Online: Oct. 8, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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