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ONLY TO SLEEP

While there are obvious perils in what Osborne attempts to do here, for the most part he succeeds in re-creating both a...

Philip Marlowe returns, albeit in a rather superannuated hard-boiled form, in this novel commissioned by the Raymond Chandler estate.

Osborne sets his novel in the late 1980s, when Marlowe is 72 and living in retirement in Mexico. He has one last case to solve, however, one that calls him “to a last effort, a final heroic statement.” Pacific Mutual has recently paid $2 million on a policy for Donald Zinn, recently deceased, but the firm suspects it’s being scammed and that Zinn and his “widow” are planning to live the high life in Mexico. Marlowe arranges to meet Dolores Zinn, and as one might expect, she’s a generation younger than her husband and fatally attractive. Marlowe soon establishes that Zinn is indeed alive and has assumed the identity of one Paul Linder, who recently died under suspicious circumstances. Zinn is a vicious bully whose first impulse is to want to murder Marlowe to get him out of the way of his happy “retirement,” but his wife instead tries to persuade the detective to accept a generous payment and forget about their scheme, for, after all, everyone wins if Marlowe simply reports to Pacific Mutual that he was unable to locate Zinn. Osborne is generally successful at ventriloquizing Chandler. The book features intriguing and shady characters, a convoluted and murky plot, and Marlowe’s attempts to remain untainted in a world pervaded by violence and corruption. Adapting to the times, the detective now has “a small radio transmitter with bugging devices, a pair of opera glasses, and a subminiature Minox camera,” but perhaps most startling is that he’s traded in his .38 for a shikomizue, a razor-sharp sword hidden in his cane.

While there are obvious perils in what Osborne attempts to do here, for the most part he succeeds in re-creating both a beloved character and a decadent ambience.

Pub Date: July 24, 2018

ISBN: 978-1-5247-5961-2

Page Count: 272

Publisher: Hogarth

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE WINNER

Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)

Pub Date: Dec. 2, 1997

ISBN: 0-446-52259-7

Page Count: 528

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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