An interesting take on biblical stories and autism stories that may struggle to find an audience.
A young boy’s love for nature reminds the adults around him to appreciate the simpler things.
Bezalel is a collector. He is also one of Pharaoh’s slaves in ancient Egypt. He often stops his work to pick up stones, bugs’ fallen wings, and other things from nature that others see as trash. When the slaves are freed, Bezalel brings his Beautiful Things Box with him and continues to fill it as they journey away from Egypt. When the Israelites stop in the desert and God asks Moses to build a mishkan, it is Bezalel who has the objects and the eye for finding more that allow them to make God’s sanctuary on Earth beautiful. With the exception of spreads depicting the Israelites’ nighttime travel through the desert, illustrations are earth-toned, with immersive full-bleeds and occasional vignettes. Bezalel is almost always set off, as if to depict how different he is from others. Indeed, he could be interpreted as being on the autism spectrum, an interpretation also implied by the author’s note that children like Bezalel “look different or act differently from others.” Readers unfamiliar with the story of the Jews’ exodus from Egypt may find it difficult to understand the beginning of the story, as Bezalel and the other Jews toil, and those who are familiar with it may find the one-sentence announcement of freedom insufficiently attentive of the moment.
An interesting take on biblical stories and autism stories that may struggle to find an audience. (Picture book/religion. 4-8)Pub Date: Aug. 1, 2018
ISBN: 978-1-5124-4448-3
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
Brimming with gratitude, familial love, and joy.
A Black child celebrates their family through prayer and affirmations.
Using repetition (“My mother is a blessing,” “My father is a blessing”), the young narrator prays for various family members, asking that they be kept “safe and well.” Each spread explains why a different member is beloved. The child’s mother “listens to my hopes and dreams” and “watches over me while I sleep.” The child’s father “teaches me to see that rainy days / are lucky days.” Their grandmother “bakes buttery lemon pound cake just for me,” while their grandfather “knows the histories of the world.” Their sister “keeps my secrets” and “helps me find my way,” and their brother “holds my hand when I’m afraid.” Complementing the loving verse, the illustrations are full of warmth and texture and play with geometrical shapes. Godparents, babysitters, and the family dog are even included, too. This book promotes an appreciation for household members as well as the family that can be created outside the home. In an author’s note, Youngblood explains that when she was growing up in Georgia, members of the Black community who weren’t related were often still considered family and that prayer was a big part of her life as a child coping with the death of her birth mother and the realization that she had siblings she’d never met. (This book was reviewed digitally.)
Brimming with gratitude, familial love, and joy. (Religious picture book. 4-8)Pub Date: May 9, 2023
ISBN: 9780593234693
Page Count: 40
Publisher: Convergent/Crown
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
A stunning, honest, yet age-appropriate depiction of historical injustice.
Giddens’ song commemorating the 155th anniversary of Juneteenth is adapted into a picture book centering history and resilience.
Written in second person, the story begins “You brought me here / to build your house” and depicts a Black family joining enslaved Black laborers in a field, transported and supervised by a White person. The family helps the others lay bricks and pick cotton until they are sent away, with the White person gesturing for them to leave (“you told me… // GO”). Against a backdrop of green fields and blue mountains, the family finds “a place / To build my house,” enjoying freedom, until “you said I couldn’t / Build a house / And so you burnt it…// DOWN.” Beside the ashes, the family writes a song; images depict instruments and musical notes being pulled from the family; and another illustration shows White people dancing and playing. The family travels “far and wide” and finds a new place where they can write a song and “put my story down.” Instruments in hand, the family establishes itself once again in the land. This deeply moving portrait of the push and pull of history is made concrete through Mikai’s art, which features bright green landscapes, expressive faces, and ultimately hopeful compositions. Giddens’ powerful, spare poetry, spanning centuries of American history, is breathtaking. Readers who discover her music through this book and the online recording (included as a QR code) will be forever glad they picked up this book. (This book was reviewed digitally.)
A stunning, honest, yet age-appropriate depiction of historical injustice. (afterword) (Picture book. 4-8)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-2252-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
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