An idiosyncratic but enjoyably atmospheric murder mystery.
Some Oregon techies must deal with a possible serial killer in their ranks in this satirical mystery novel.
Portland, Oregon, 2013. Kipling Rehain, a failed “alternative energy” entrepreneur, aging pothead, and secret Luddite (he only recently learned what IT stands for), attends a programmers’ meet and greet at the Mission Theater. There, he meets Cynthia “GG” Oglethorpe, a tech wunderkind with a revolutionary idea for a social media app that will bring people together rather than fragmenting them into partisan tribes: “I want to architect it right so it actually means something. Not endless pictures of cute pets and birthday greetings….I want to do something that matches people based on their ‘anti-interests.’ Suppose everyone had friends who were the opposite of themselves?” With this meeting, SwiftPad is born, and it promises to make boatloads of cash for them and their backers. Meanwhile, a skeleton belonging to a woman who disappeared 16 years ago is discovered buried in one of the city’s utility vaults. It’s the same day that Kip’s old friend Jim Hunt starts working for the utility company. As a set of old cold cases reopens, SwiftPad’s future—and those of its founders—becomes inextricably tied to Portland’s past. Barckmann’s (Farewell the Dragon, 2017, etc.) prose is stylish and funny, particularly when he describes the changing face of the Rose City: “There seemed to be a disdain in Portland for things he thought were important: style, cars, fragrance, and the statement you made when you stood up and took off your sunglasses. And they had a thing about body odor, or rather didn’t. It was especially evident on the MAX train.” While his characters don’t always make realistic decisions—it’s unclear why GG would be attracted or even intrigued by Kip, but she sleeps with him mere hours after meeting him for the first time—the milieu is compelling enough to keep readers captivated. The book reads like a looser version of a Jonathan Lethem novel, riffing on gentrification and the tech industry while exhibiting a genuine love for detective tales and the Portland of old.
An idiosyncratic but enjoyably atmospheric murder mystery.Pub Date: Sept. 15, 2015
ISBN: 978-1-62901-271-1
Page Count: 318
Publisher: Inkwater Press
Review Posted Online: Dec. 31, 2019
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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