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MAKE ME

From the Jack Reacher series , Vol. 20

Jack Reacher is still going strong. Will satisfy fans—and newcomers, too.

In this 20th installment of Child’s action series (Personal, 2014, etc.), Jack Reacher ends up in the wrong place at the wrong time—perfectly positioning him to unravel a missing person mystery and save the day.

Living on the road with his toothbrush in his pocket, ex-military policeman/all-around-hero Reacher is wending his way across the country by train when he alights at Mother’s Rest on a whim, curious about the origin of the name. Instead of the expected historical marker, he finds a bunch of unfriendly townspeople and ex-FBI agent/PI Michelle Chang, who's searching for a missing colleague. Drawn irrevocably to both Chang and the mystery, Reacher fights to uncover the truth behind Mother’s Rest—a truth that involves the so-called “Deep Web,” the dark undercover space of the Internet. Reacher and Chang traverse the country from Oklahoma to Chicago, Phoenix, Los Angeles, and San Francisco in their quest for answers. The final showdown reveals that the crimes of Mother’s Rest are more sinister and terrible than they ever imagined. Despite (or maybe because of) the expected Reacher-novel formula, this series remains as compulsively readable as ever. Child is a master of pacing, stretching out the mystery through short chapters that give rise to bursts of well-choreographed violence. Sentences are choppy, dialogue is fast, yet there is authenticity to Reacher’s world, too. While the mystery is rather shallowly sketched in between the fight sequences, the setting is effectively bland, and the ending makes one feel true horror at the ways of men. Of course, the biggest strength is Reacher himself: impassive, analytical, secretly romantic, and relentlessly honorable. It’s impossible not to root for him and his lady friend of the moment—and Chang, to be fair, is tough, if not multidimensional.

Jack Reacher is still going strong. Will satisfy fans—and newcomers, too.

Pub Date: Sept. 8, 2015

ISBN: 978-0-8041-7877-8

Page Count: 384

Publisher: Delacorte

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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