An engaging ’90s pastiche with an earnest heart beating at its center.
A 1990s California grunge girl mourning the death of her sister sets out on a road trip of self-discovery in this YA novel.
Sixteen-year-old Nico Sullivan has been having a rough time since police came to her door to tell her that her sister, Kristen, died of a brain aneurysm during her morning jog through Laurel Canyon. That was Halloween 1993, the same day River Phoenix overdosed across town at the Viper Room in West Hollywood. No one in Nico’s family is dealing with it well, and six months after Kristen’s death, the teen comes home to find her mother in flagrante delicto with a neighbor. Nico’s been keeping a bucket list since her sister died: “Sometimes I take it out” and pore over “its wild contents that ranged from surfing, to climbing a mountain and facing my fear of heights, to kissing a boy I really had feelings for, to getting up in front of an audience and singing my heart out.” Faced with the prospect of her parents’ divorce—and egged on by her two friends also facing burnout—Nico decides to take her teal blue Hyundai Excel up the West Coast, knocking things off the list and coming to terms with her grief. The last thing on the list: driving to Seattle and knocking on the door of her favorite singer, Kurt Cobain. What could go wrong? Goldberg brings Nico to life with a narration that, save for a few anachronisms (“hella,” “muffin top”), is unabashedly 1994: “While I’m hella jealous of Courtney Love because of who she gets to lie next to every night, Hole’s music actually rocks. As I drive, I sing ‘Miss World’ until my throat is red, knowing I should support female musicians that are part of the Riot Grrrl movement rather than tear them down.” Nico is equal parts angst, humor, and longing, a compelling combination that invites readers into all manner of memorable (and often inadvisable) situations. She doesn’t always sound entirely like a 16-year-old girl, but she embodies the grunge ethos enough to make the constant music references feel like more than just a conceit.
An engaging ’90s pastiche with an earnest heart beating at its center.Pub Date: April 29, 2021
ISBN: 978-1-953944-04-7
Page Count: 288
Publisher: Wise Wolf Books
Review Posted Online: March 25, 2021
Review Program: Kirkus Indie
A thoughtful and thrilling story of life, death, and meaning.
Two teens train to be society-sanctioned killers in an otherwise immortal world.
On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty. The vivid and often violent action unfolds slowly, anchored in complex worldbuilding and propelled by political machinations and existential musings. Scythes’ journal entries accompany Rowan’s and Citra’s dual and dueling narratives, revealing both personal struggles and societal problems. The futuristic post–2042 MidMerican world is both dystopia and utopia, free of fear, unexpected death, and blatant racism—multiracial main characters discuss their diverse ethnic percentages rather than purity—but also lacking creativity, emotion, and purpose. Elegant and elegiac, brooding but imbued with gallows humor, Shusterman’s dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions.
A thoughtful and thrilling story of life, death, and meaning. (Science fiction. 14 & up)Pub Date: Nov. 29, 2016
ISBN: 978-1-4424-7242-6
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Whether you came for the lore or the love, perfection.
Broken people, complicated families, magic, and Faerie politics: Black’s back.
After the tumultuous ending to the last volume (marriage, exile, and the seeming collapse of all her plots), Jude finds herself in the human world, which lacks appeal despite a childhood spent longing to go back. The price of her upbringing becomes clear: A human raised in the multihued, multiformed, always capricious Faerie High Court by the man who killed her parents, trained for intrigue and combat, recruited to a spy organization, and ultimately the power behind the coup and the latest High King, Jude no longer understands how to exist happily in a world that isn’t full of magic and danger. A plea from her estranged twin sends her secretly back to Faerie, where things immediately come to a boil with Cardan (king, nemesis, love interest) and all the many political strands Jude has tugged on for the past two volumes. New readers will need to go back to The Cruel Prince (2018) to follow the complexities—political and personal side plots abound—but the legions of established fans will love every minute of this lushly described, tightly plotted trilogy closer. Jude might be traumatized and emotionally unhealthy, but she’s an antihero worth cheering on. There are few physical descriptions of humans and some queer representation.
Whether you came for the lore or the love, perfection. (Fantasy. 14-adult)Pub Date: Nov. 19, 2019
ISBN: 978-0-316-31042-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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