Thirteen-year-old Jules Cheney’s father, Ben, is her devoted chauffeur, cook, and confidante until a fight between him and Jules’s workaholic mother forces him to leave without a trace. Jules discovers—along with the rest of the world—Ben’s anguish when she reads in the newspaper that he is not her biological father, has prompted an unprecedented court case in which he demands monetary restitution for his years of fatherhood, and can no longer bear to see Jules. As a result, Jules becomes Child X to the press, an attempt to protect her identity that only leads to public scrutiny among the media, camera crews documenting her every move, and humiliation at school. As she grapples with blaming her mother, Ben, and even herself, Jules also bravely stands up for her own needs from the media and as a daughter. Throughout this tragedy, Jules, having caught the acting bug like her Uncle Derek, auditions for and takes the part of Lyra in a community production of Philip Pullman’s Northern Lights (American readers know it as The Golden Compass). First-time author Weatherly draws interesting parallels between these two British heroines and leaves many clues about the identity of Father X as well as enormous holes in the logic. The resilient and endearing Jules narrates her own story in an authentic voice, but the overall impression is that of a made-for-TV movie. Melodrama with teen style. (Fiction. 11-15)
Pub Date: June 11, 2002
ISBN: 0-385-75009-9
Page Count: 208
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
BOOK REVIEW
BOOK REVIEW
Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)
Pub Date: Oct. 1, 1991
ISBN: 0-374-31340-7
Page Count: 163
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
An engaging novel-in-poems that imagines one earnest, impassioned teenage girl’s experience of the Japanese-American...
Crystal-clear prose poems paint a heart-rending picture of 13-year-old Mina Masako Tagawa’s journey from Seattle to a Japanese-American internment camp during World War II.
This vividly wrought story of displacement, told from Mina’s first-person perspective, begins as it did for so many Japanese-Americans: with the bombs dropping on Pearl Harbor. The backlash of her Seattle community is instantaneous (“Jap, Jap, Jap, the word bounces / around the walls of the hall”), and Mina chronicles its effects on her family with a heavy heart. “I am an American, I scream / in my head, but my mouth is stuffed / with rocks; my body is a stone, like the statue / of a little Buddha Grandpa prays to.” When Roosevelt decrees that West Coast Japanese-Americans are to be imprisoned in inland camps, the Tagawas board up their house, leaving the cat, Grandpa’s roses and Mina’s best friend behind. Following the Tagawas from Washington’s Puyallup Assembly Center to Idaho’s Minidoka Relocation Center (near the titular town of Eden), the narrative continues in poems and letters. In them, injustices such as endless camp lines sit alongside even larger ones, such as the government’s asking interned young men, including Mina’s brother, to fight for America.
An engaging novel-in-poems that imagines one earnest, impassioned teenage girl’s experience of the Japanese-American internment. (historical note) (Verse/historical fiction. 11-14)Pub Date: March 1, 2014
ISBN: 978-0-8075-1739-0
Page Count: 128
Publisher: Whitman
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
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