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BETWEEN SUMMER'S LONGING AND WINTER'S END

THE STORY OF A CRIME

“What fucking people there are and what fucking lives they live,” reflects one grim flatfoot. Just so. Persson does a fine...

Engaging Swedish whodunit, the first of a trilogy—reminiscent of the work of Henning Mankell and Stieg Larsson in its toughness, and just as cynical in its politics.

A story that begins with the brutal death of a deaf dog may not be entirely promising, at least for the animal lovers in the audience, but that memorable episode suits Persson’s purposes just fine: Though leafy and full of nice wood furniture, Sweden, suggests the author—in his spare time a psychological profiler for the national police—is full of unhinged folks who would not think twice about committing such dastardly deeds as dispatching “an admittedly old Pomeranian” by means of a falling body who just happens to be an American of some interest to the international community. But homegrown loonies don’t hold a candle to the assorted nutcases and psychopaths filling the ranks of the security forces of the superpowers, as with one CIA officer who once haunted the Stockholm embassy while nursing anti-Semitic grudges, brooding about better times and hoarding scrap metal. Ah well, shrugs the lead investigating officer, “This country is full of crazy people who collect such things.” The case gets ever uglier, and if the spooks are nasty, the Stockholm cops charged with hunting down the usual suspects are decidedly incompetent. The main character is a world-weary exception, a police superintendent who seems to be living for retirement, showing “disturbing signs of wavering conviction since he’d left the field campaign against criminality to take it easy behind a series of ever-larger desks.” Laced with irony and satire, Persson’s tale takes a serious turn straight from the headlines of yore with a plot to remove a popular prime minister from the scene.

“What fucking people there are and what fucking lives they live,” reflects one grim flatfoot. Just so. Persson does a fine job of pitting one desperate soul against another in a philosophically charged tale worthy of Ingmar Bergman—but with lots more guns.

Pub Date: Sept. 14, 2010

ISBN: 978-0-307-37745-6

Page Count: 560

Publisher: Pantheon

Review Posted Online: July 21, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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A KILLER EDITION

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Too much free time leads a New Hampshire bookseller into yet another case of murder.

Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Pub Date: Aug. 13, 2019

ISBN: 978-1-9848-0272-9

Page Count: 320

Publisher: Berkley

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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MURDER ON THE ORIENT EXPRESS

A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.

  **Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach.  Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express.  This is the only name now known for the book.  The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.

 

Pub Date: Feb. 28, 1934

ISBN: 978-0062073495

Page Count: -

Publisher: Dodd, Mead

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Feb. 1, 1934

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