At an ordinary private school in California, a spaceship carrying alien prisoners has crashed, something has escaped and it’s up to three seemingly normal teens to track it down.
In Dunlap’s young adult novel, nothing is quite as it seems. Farrell, Izzy and Rom might look like normal teenagers, but they’re really aliens, working for the West Coast Division of the Committee, tasked with hunting down escaped alien prisoners. When a prisoner barge crashes onto the football of Lexham Preparatory Academy and a prisoner escapes from the wreckage, the three must disguise themselves as high school students to track down the missing alien; Farrell joins the basketball squad, Izzy befriends an outcast named Carolyn and Rom battles with his aging Math teacher. Dunlap expertly renders the three leads as complex, multidimensional characters. As the leader, Farrell is stoic yet cares deeply for his makeshift family. When he meets Nora, Farrell is inexplicably drawn to her as he sees past the façade she wears. Izzy may be the least girly of girls, but behind her tough act she can read the emotions of others. Rom, a genius when it comes to math, explosions and computers, desperately yearns for a real family. Although they may be alien, Dunlap makes sure that her characters have real emotions and human complexities. At times, however, our heroes seem almost too human; the reader only learns about their origins late in the novel, and the ways in which they are different from the humans of Earth aren’t fully developed. This slow reveal of information contrasts almost too sharply with the fast pace of the plot. But soon the three alien hunters realize that the cheerleaders of Lexham are swelling in ranks and acting strangely. Nora and an alien enthusiast named Bobby join forces with Farrell, Izzy and Rom to find the escaped alien. As they confront the escaped prisoner at the Halloween Carnival, they discover that this alien is, too, not what it seems, and Nora is right in the middle of the mystery. Despite some cliché plot turns found in most young adult novels and some bad one-liners, Dunlap’s prose is rich with character and setting details and vivid descriptions. Filled with great characters, good mystery and a fun twist on normal high school appearance, Dunlap’s debut is sure to appeal to teen readers.
Pub Date: Aug. 15, 2011
ISBN: N/A
Page Count: 142
Publisher: Publish Green
Review Posted Online: Jan. 27, 2012
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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