by Leland de la Durantaye ‧ RELEASE DATE: Nov. 20, 2018
A novel of stark beauty and even starker consequence whose language makes up for the often opaque action of the plot.
An heiress to the ancient money of a storied family seeks revenge for personal and global wrongs in this powerful debut novel.
Hannah is the precociously brilliant daughter of the Syrl family. Her rootlet of the family tree—which traces its origins back to Nordic conquest—is led by the somewhat scantily sketched figure of her renegade father, a lesser son who has rejected the lineage of rapacious, colonialist greed that has resulted in his family’s stratospheric wealth. Raised under the haphazard supervision of parents embroiled in the dissolutions of their respective marriages, Hannah and her unnamed male best friend (who narrates the book) are largely educated by the Old One and the Wise One. These are two aging grandparents who provide the children with access to the myth structures of the native peoples who once walked the woods that surround them, teach them how to raise wolf pups, train them in Latin, Greek, and Potawatomi (an Algonquin language), and embed within them a deep appreciation for the value of brutality and the civilizations which are born from it. As a teenager, Hannah is brought back into the fold of the Syrl family by the aging matriarch of the clan (sister to the Wise One). When she opposes a scheme presented by the ruthless eldest son of the Syrl tribe, she is punished with a brutal violation of both her body and her trust. This act sets her on a path of epic vengeance—aided and abetted by our impassioned narrator (who is now both friend and lover); Annika, a sexually nihilistic cousin; Justin, a friend with a gift for violence; and a cast of other druggies, skaters, dealers, and hackers who help her take her vengeance to a global scale. The impact of the novel’s plot is somewhat hampered by its mode of telling. Our narrator is doubly removed from the action by both time (the events of the book have all happened in the past) and emotional distance (he loves Hannah but he is not Hannah, who is the undisputed main character of the novel). In spite of this, de la Durantaye’s (Beckett’s Art of Mismaking, 2016, etc.) background as a literary critic and scholar is translated here into a facility with the mutable power of myth that renders his prose at once a dream and a brutal awakening.
A novel of stark beauty and even starker consequence whose language makes up for the often opaque action of the plot.Pub Date: Nov. 20, 2018
ISBN: 978-1-944211-50-9
Page Count: 176
Publisher: McSweeney’s
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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