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LITTLE LOST RABBIT FINDS A FAMILY

Brief, but loaded with appeal for younger readers and pre-readers.

An abandoned bunny doesn’t stay homeless for long in this understated, simply illustrated import.

Venturing out into “their” vegetable patch with baskets under their arms one day, the Bunnybig family hears loud noises (“CATACRACK, CRASH, CRASH!”). Investigating, they see the neighboring rabbits being run off by tractors. Spotting a droopy refugee on the other side of the garden fence the next morning, the littlest Bunnybig quickly enlists help from everyone to dig a hole and to adopt a new Bunnybig into the clan. In the spare art, which looks like cut-paper collage with bits of added brushwork, a tap activates twitching bunny ears or a drifting cloud, makes figures move a few inches or nibble on a carrot, along with like restrained animations. Optionally read by a sympathetic narrator, the equally spare text is available in English, Spanish or Catalan. Though navigation isn’t as seamless as it might be—touching small carrots in the lower corners moves the story ahead or back, but an unlabeled sun in the middle flips the story back to the opening screen, willy-nilly—and at just 12 scenes, the tale seems barely begun before it’s done, the overall feeling of warmth and welcome will leave all but the most hardhearted audiences smiling.

Brief, but loaded with appeal for younger readers and pre-readers. (iPad storybook app. 3-5)

Pub Date: March 31, 2012

ISBN: N/A

Page Count: -

Publisher: iLUBUC

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: May 15, 2012

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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