“WORD NUMBER 1: Bird. / The bird sits on the table.” A modest start, perhaps, but the gorgeous, Matisse-like, gelato-colored spread drips in mystery. The table legs, for example, are sprouting leaves. “WORD NUMBER 2: Despondent.” Poor bird. She’s now standing atop Mushy Peas, next to a Kafka book. Happily, she finds cake, which is WORD NUMBER 3. The story—and it is actually a winsome story of friendship—proceeds thus, with a Snicketian 13 words in all, including 4) dog (who wants to cheer up his feathered friend, probably with a hat); 5) busy; 6) convertible; 7) goat; 8) hat; 9) haberdashery; 10) scarlet; 11) baby; 12) panache; and 13) mezzo-soprano. Snicket and Kalman are perfectly matched here, both revelers in life’s delicious (mmm… cake) details and things best left unexplained… such as why the bird has to paint 11 ladders in ten colors, why the scarlet-doored haberdashery’s owner is a baby and why the bird never stops feeling despondent, despite her new hat that has so very much panache. This charming chef-d’oeuvre sings like a mezzo-soprano. (Picture book. 3-10)
Pub Date: Oct. 1, 2010
ISBN: 978-0-06-166465-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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