An often heartrending story of abuse and recovery.
In her debut memoir, Ossen writes about growing up in a deeply dysfunctional household.
The author writes that her mother, Hedda, had a phobia about germs, so she didn’t allow anyone to touch Ossen when she was a child for fear of infection—not even her father, George. Ossen also wasn’t allowed to talk to strangers, go to school, have friends, or even open the refrigerator by herself when she was hungry. At one point, the author’s uncle, Will, convinced George to have Hedda committed to a psychiatric institution in order to get her some help; Ossen writes that when a psychiatrist told Will that she was “trying to find out why [Hedda] hates her child so much,” Will angrily responded that “her plight is...the very opposite—she loves her child too much!” Will moved Hedda to a sanitorium, Ossen writes, from which George engineered her release. The author’s first demands for independence, at age 13, illustrate the control that her mother exercised over her; the teen told Hedda that she no longer wanted her to “check my bowel movements,” and, for the first time, she disobeyed a standing order to avoid a public mailbox. As an adult, Ossen was wracked with fear and self-doubt, but she still married and went to college. By her mid-40s, she obtained a master’s degree in social work, and established herself as a professional therapist. Overall, Ossen tells an intensely personal story over the course of this lengthy book—one that’s a testament to her impressive drive to survive and find personal fulfillment in her daily life. Readers may sometimes express horror at the routine emotional cruelties that Ossen describes in these pages, as when her father happily ate an ice cream cone in front of her, when her own mother wouldn’t ever allow her to have the dessert. However, the author’s repeated use of similar phrases to articulate her feelings (“I couldn’t speak. I couldn’t think. I couldn’t hear anything”) sometimes has the effect of lessening the book’s emotional impact.
An often heartrending story of abuse and recovery.Pub Date: Oct. 29, 2018
ISBN: 978-1-63417-425-1
Page Count: 642
Publisher: Page Publishing, Inc.
Review Posted Online: Dec. 20, 2019
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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