Set in 16th-century feudal Japan, a slow, uninvolving episode in the adventures of two wandering samurai previously met in Namioka's The Coming of the Bear (1992). A mysterious figure in a white fox mask is fomenting rebellion in a misty, newly annexed valley—intending, it turns out, not to throw out the small occupying force, but to steal its payroll and leave the locals to their fate. Enter unemployed ronin (masterless samurai) Zenta and Matsuzo, who discover that they've been cleverly maneuvered only after helping with the heist, but do manage to recover the gold, thus saving the valley's residents from slaughter. The contrast between impulsive Matsuzo and his crafty, saturnine mentor Zenta plays as well as ever, but that's all that works here: The pace never picks up after the hookless, sluggish opening scene; readers expecting suspense, heroics, authentic atmosphere, or at least some action will come away disappointed; and the fleeting appearance of a second, possibly supernatural White Fox is as forced as the attraction that develops between Zenta and Kinu, daughter of a once-noble clan and the valley's secret jujitsu instructor. The criminal mastermind's escape at the end implies his return in future adventures, but the series is plainly running out of steam. (Fiction. 11-13)
Pub Date: May 1, 1997
ISBN: 0-15-201282-6
Page Count: 213
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
Loosely connected to historical events, this tale of a 17th-century English town that isolated itself to prevent the plague from spreading celebrates selfless courage, but it does so at some distance, and within the confines of a contrived, ordinary story. Daughter of a prosperous, bookish squire, Nell Bullen has enjoyed an idyllic upbringing, and despite confirmed rumors of plague, eagerly accompanies her father to London when he is inducted into the Royal Academy. Guided by the up-and-coming Samuel Pepys, Nell tours the city, avoiding the plague-ridden districts until by mischance she witnesses a horrifying mass burial. Sobered, she returns to Branford, not long before the local tailor takes ill. Viewed largely from the distant safety of the manor house, the townfolks’ principled decision to stay put rather than flee, and their subsequent suffering, will seem a remote catastrophe to readers, and Nell’s stilted narrative style (“Among our visitors from London was a singular young man whom I misjudged completely at the start,”) gives this the artificiality of a formula romance. Though the act from which this story springs merits commemoration, the inner and outer devastation wrought by disease is more vividly captured in Cynthia DeFelice’s Apprenticeship of Lucas Whittaker (1996) and Anna Myers’s Graveyard Girl (1995). (Fiction. 11-13)
Pub Date: Sept. 1, 1999
ISBN: 0-8037-2393-8
Page Count: 128
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
Aimed at readers who have already encountered Anne Frank, this riveting historical novel from Mazer (Missing Pieces, 1995, etc.) is based on a little-known chapter of WWII history. Karin Levi’s story begins in a tiny attic room in Paris in the 1940s, where she is hidden away with her brother, Marc, and their mother, practicing the art of quiet. German soldiers are conducting house-to-house searches, rounding up Jews, and the small family is soon on the run, depending on strangers for scraps of food and shelter. When Maman falls ill, Karin and Marc head for Naples without her; the children board the Henry Gibbons, a ship full of European refugees bound for Fort Ontario in Oswego, New York. Upon their arrival in America, their story turns from one of flight and danger to the happiness and sorrow associated with adjusting to a new language, customs, and schooling, and making new friends. Although it is a shock to Karin, it comes as no surprise to readers when Marc reveals that Maman is dead. Mazer skillfully paints Karin as brave and independent, yet depicts her devotion to Maman throughout, writing unsent letters and never losing sight of her belief that one day they will be reunited. Rather than relying on events and facts of the war and its atrocities to create sympathy, the author paints her central character’s thoughts and feelings, her moments of weakness and her strength, so that the story is stirringly understated. (Fiction. 10-12)
Pub Date: Oct. 1, 1999
ISBN: 0-15-201468-3
Page Count: 189
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
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