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EIGHT RIVERS OF SHADOW

From the Thirteen Days of Midnight series , Vol. 2

Whopping good suspense in the netherworld.

This sequel to Thirteen Days of Midnight (2015) follows Luke Manchett, who inherited a Host of powerful ghosts from his father and can’t seem to get out of the necromancy business.

Luke thinks he has rid himself of his father’s unwanted baggage, but when a new exchange student, Californian Ashley, shows up in his school in northeast England, he learns that she is also a necromancer. She wants to use his magical and highly dangerous Book of Eight to save her twin sister from certain death in the world of spirits. Luke enlists the reluctant aid of his girlfriend, Elza, but learns soon enough that Ashley hasn’t told him the entire truth. He winds up traveling into the spirit world to right the wrongs that Ashley has committed, but he faces challenges. To fight the Widow, conjured by Ashley, he must summon the leader of his Host, the devious Shepherd, and bind him yet again. With his loyal dog, Ham, he and the Shepherd embark on an epic journey to the Shrouded Lake. Along the way Luke is tested over and over, and he fears that he may have another meeting with the Devil himself. Hunt writes nicely effective horror, balancing the normal teen lives of his characters (most presumably white) against their supernatural adventures. As in the previous book, Luke’s time spent inhabiting Ham’s mind is a highlight.

Whopping good suspense in the netherworld. (Horror. 12-18)

Pub Date: Aug. 23, 2016

ISBN: 978-0-7636-8994-0

Page Count: 368

Publisher: Candlewick

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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CLAP WHEN YOU LAND

A standing ovation.

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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.

Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.

A standing ovation. (Verse novel. 14-18)

Pub Date: May 5, 2020

ISBN: 978-0-06-288276-9

Page Count: 432

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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