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THE NUREMBERG INTERVIEWS

AN AMERICAN PSYCHIATRIST’S CONVERSATIONS WITH THE DEFENDANTS AND WITNESSES

Striking proof of the banality of evil.

A rare document: a psychiatrist’s working notes on Nazi officials awaiting trial for war crimes.

Goldensohn, who served on the US army medical staff at Nuremberg in 1946, may have intended to publish his interviews with the likes of Hermann Goering and Julius Streicher one day, but he did not. A pity, for the documents gathered here provide much insight into the minds and lives of the Third Reich’s founders and rulers, who survived the war through no end of intrigue and backstabbing. Not surprisingly, most of Goldensohn’s subjects deny having committed crimes, protest that they were merely following orders, profess having had no knowledge of the Holocaust. Thus, Goldensohn writes, Admiral Karl Doenitz, who surrendered Germany to the Allies, “knew nothing of plans for an aggressive war, knew nothing about the extermination of the Jews, nothing about the extermination of 30 million Slavs, nothing of the atrocities in Russia and Poland,” adding, “He sees only that he was innocent of any crime, past or present, and that any attempt to incriminate him or any of the others on trial with him is political connivery.” Similarly, Hans Frank, the Nazi governor general of Poland, insists that “the extermination of the Jews was a personal idea of Hitler’s” in which he had played no part. Goering asserts, “Many of us in the party were opposed to the sharp racial laws and politics, but we were too busy.” (He adds, “I made other proposals, as for example that Jews who had been living in Germany for a hundred years or more should be exempted.” And so on: By the time he reaches Nazi theoretician Streicher, whom many of the defendants blame for their woes, Goldensohn is plainly fed up: “He smiles constantly, the smile something between a grimace and a leer, twisting his large, thin-lipped mouth, screwing up his froggy eyes, a caricature of a lecher posing as a man of wisdom.”

Striking proof of the banality of evil.

Pub Date: Oct. 6, 2004

ISBN: 0-375-41469-X

Page Count: 544

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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