Mix Harold Bloom with Stephen Jay Gould, and you’ll get something like Kass. A wonderfully intelligent reading of...
A learned and fluent, delightfully overstuffed stroll through the Gates of Eden.
“It was all because of Darwin,” writes Kass (Committee on Social Thought/Univ. of Chicago), that he came to study the biblical book of Genesis, in which the earth is created, populated, depopulated, and scourged in various awful ways. Blending science with philosophy, anthropology, linguistics, and other disciplines—but with only a smattering of theology as such—Kass turns to some of the big questions that science cannot or does not care to answer, as well as to a few ticklish other matters: “How, we wonder, does the speaker know what he is talking about? Why should we believe him? . . . On the basis of what other than prejudice—prejudgment—can we decide whether the text is speaking truly?” Kass provides no firm answers (how could he?), but he grapples nobly with the notoriously difficult text from first words (“In beginning,” he translates, eschewing the definite article, “God [’elohim] created the heavens and the earth”) to last (“the very last word of Genesis is ‘in Egypt’ [bemitsrayim]”), commenting, elucidating, and arguing along the way. Kass, now chairman of the President’s Bioethics Committee, is inclined to a generous view of human and divine nature, though his Garden—a place that appeals to “beings with an uncomplicated, innocent attachment to their own survival and ease”—conceals plenty of Darwinian thorns. On the matter of Cain and Abel, for example, he ventures, “readers recoil from considering the possibility that enmity—yes, enmity to the point of fratricide—might be the natural condition of brothers,” while among the other matters Jacob must wrestle with, Kass has it, is “nature’s indifference to human merit.” But all those big questions and problems, Kass concludes, resolve into an overarching one, the real subject of Genesis: “Is it possible to find, institute, and preserve a way of life that accords with man’s true standing in the world and that serves to perfect his godlike abilities?” Hmmm.
Mix Harold Bloom with Stephen Jay Gould, and you’ll get something like Kass. A wonderfully intelligent reading of Genesis—and surely worthy of sequels, a fat volume for each branch of the Pentateuch.Pub Date: May 15, 2003
ISBN: 0-7432-4299-8
Page Count: 720
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
BOOK REVIEW
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
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