A solid effort that offers young readers a glimpse into the lives of children in the time of slavery and appreciate the...
by Lesa Cline-Ransome & illustrated by James E. Ransome ‧ RELEASE DATE: Jan. 3, 2012
For the enslaved child who grew up to be Frederick Douglass, learning to read led to freedom and a life of activism committed to abolition.
Cline-Ransome has based her story on Douglass’ autobiography, giving the gravitas and formality of the adult to the child. She describes his childhood on a Maryland plantation, including his separation from his mother and the ill treatment he and all the other enslaved children received. Sold to his owner’s relatives, the Aulds, in Baltimore, Frederick Bailey, as he was then known, was taught to read from the Bible by Auld’s kindly wife. When her good deed was discovered by her husband, she was forced to close her library to Frederick. Undeterred, he practiced reading on the streets and along the waterfront. Ransome uses acrylic and oil paints to create a palette rich in the blues and greens of the Chesapeake region. The portrait on the back cover is particularly striking. Husband and wife have been frequent, successful collaborators, and this title is equally commendable. One caveat, though: Ending with Douglass’ successful escape rather than a failed one would have been preferable.
A solid effort that offers young readers a glimpse into the lives of children in the time of slavery and appreciate the development of a most notable life. (author’s note, bibliography, timeline) (Picture book/biography. 6-10)Pub Date: Jan. 3, 2012
ISBN: 978-1-4169-5903-8
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Dec. 20, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S HISTORY
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by Lesa Cline-Ransome ; illustrated by Gillian Flint
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1999
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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by Cheryl B. Klein ; illustrated by Tomie dePaola
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by Tomie dePaola ; illustrated by Tomie dePaola
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by Tomie dePaola ; illustrated by Tomie dePaola
by Victor Hinojosa & Coert Voorhees ; illustrated by Susan Guevara ‧ RELEASE DATE: July 7, 2020
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 3, 2020
Kirkus Reviews Issue: June 15, 2020
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S SOCIAL THEMES
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