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MY NAME IS AVIVA

This book could have used a little trimming, but it’s clever enough to make kids curious about their own given names.

The mean kids at Aviva’s school are cleverer than the mean kids in most neighborhoods.

When students at Aviva’s school want to make fun of her name, they call her “Amoeba” and “Viva La France.” This requires a certain level of sophistication. (A really cruel kid might have called her “Bieber,” but then the book would be instantly out of date.) Aviva is ready to change her name to Emily until her parents tell her why they chose that particular name. Even the youngest Jewish readers will probably guess the secret the moment Aviva’s parents start talking about her great-grandmother Ada, an immigrant from Russia who “studied the English newspaper every night to learn her ABC’s” and sewed stitches “as fine as spider webs.” Stories about Ada run throughout the book—arguably, at least one story too many. The parents are reminded of a story every time they do something she did: sew on a button or pick up a book. The device is contrived and repetitive, but the stories are often moving and do lead finally to the information that Ada’s Hebrew name was Aviva. And Jatkowska’s illustrations are charming. They look like patchwork dolls, pieced together from items found around the house.

This book could have used a little trimming, but it’s clever enough to make kids curious about their own given names. (Picture book. 5-8)

Pub Date: Oct. 1, 2015

ISBN: 978-1-4677-2654-2

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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I KNOW AN OLD LADY WHO SWALLOWED A DREIDEL

Fun, in an odd sort of way.

The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.

The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”

Fun, in an odd sort of way. (Picture book. 5-8)

Pub Date: Aug. 26, 2014

ISBN: 978-0-439-91530-4

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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I WANNA NEW ROOM

Alex has his iguana (I Wanna Iguana, 2004), but now, thanks to Baby Annie, he has to share his room with his little brother Ethan. That’s just not going to work out, so he begins a new letter-writing campaign. Mom’s reply: Talk to your father. Alex’s straightforward request nets this response: “…Mom says girls need privacy to do girl stuff.” Alex can’t think what girl stuff a baby would need to do, so he switches tactics, complaining that Ethan bothers his stuff. The heart-to-heart talk Dad suggests ends up with Alex cordoning off HIS part of the room (which unfortunately includes the door). Alex begs for an addition to the house, but Dad has a better idea. The two build Alex his own tree house…but it’s boring in the tree house alone! Orloff’s second epistolary tale is just as inventive and enjoyable as the first. Catrow’s distinctive pencil-and-watercolor illustrations elevate the (mostly) realistic exchange in the letters to deliriously preposterous heights. The nearly wordless conclusion is as satisfying as it is unexpected. A sneaky lesson wrapped up in a flaky bundle of fun. (Picture book. 5-8)

Pub Date: Sept. 1, 2010

ISBN: 978-0-399-25405-5

Page Count: 32

Publisher: Putnam

Review Posted Online: Aug. 2, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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