Being a budding classical musician in small town Minnesota during the 1950s doesn’t stop Franny from throwing water balloons and causing trouble—especially for Nancy Orilee, whose aggravating bragging about her hoity-toity ways includes competition for top pianist honors. When town lawyer Charlie Koenig brings his new Russian wife home, the whole town is in an uproar, thinking that Olga is a spy. However, Franny discovers the “Commie” is a famous musician with a collection of instruments, including a grand piano. Finagling some lessons requires trickery, but Franny is determined in spite of small-town McCarthyism and Olga’s own cantankerousness. Shenanigans abound with Franny’s best friend Sandy, and yet there is no doubt of her dedication to becoming a great pianist. Blume’s folksy tone somewhat undermines the high tone in regards to the music, but those who love a heroine with gumption struggling with injustice will enjoy the ride. (Fiction. YA)
Pub Date: June 12, 2007
ISBN: 978-0-375-83524-7
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2007
BOOK REVIEW
BOOK REVIEW
A tribute to young people’s resistance in the face of oppression.
In 1983 South Korea, Kim was learning to navigate university and student political activism.
The daughter of modest restaurant owners, Kim was apolitical—she just wanted to make her parents proud and be worthy of her tuition expenses. Following an administrator’s advice to avoid trouble and pursue extracurriculars, she joined a folk dance team where she met a fellow student who invited her into a banned book club. Kim was fearful at first, but her thirst for knowledge soon won out. As she learned the truth of her country’s oppressive fascist political environment, Kim became closer to the other book club members while the authorities grew increasingly desperate to identify and punish student dissidents. The kinetic manhwa drawing style skillfully captures the personal and political history of this eye-opening memoir. The disturbing elements of political corruption and loss of human rights are lightened by moving depictions of sweet, funny moments between friends as well as deft political maneuvering by Kim herself when she was eventually questioned by authorities. The art and dialogue complement each other as they express the tension that Kim and her friends felt as they tried to balance school, family, and romance with surviving in a dangerous political environment. References to fake news and a divisive government make this particularly timely; the only thing missing is a list for further reading.
A tribute to young people’s resistance in the face of oppression. (Graphic memoir. 14-adult)Pub Date: May 19, 2020
ISBN: 978-1-945820-42-7
Page Count: 192
Publisher: Iron Circus Comics
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
PERSPECTIVES
PERSPECTIVES
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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