Soft, splashy watercolors with that medium’s traditional luminosity limn the streets, markets, parks, and boulevards of Paris, as a calico cat, Alice, searches for her owner, Annie, who is visiting a great-aunt, Isabella. Alice sees a mouse in Great-Auntie Isabella’s garden on the first day of her first trip to Paris, and races after it; soon, she is lost in the city. Alice strolls the market, loses a stray fish to a tomcat, is chased by one of the city’s innumerable dogs and lands on a bateau-mouche when she falls off a bridge (a wordless spread of the fall is realistically and kinetically rendered). Tired, Alice at last falls asleep in a bed of tulips, to be found by Annie and her aunt. The Louvre and Notre Dame form a pleasant backdrop to Baker’s close observations of feline behavior. Annie, in her navy knee socks and beret, is just as appealing as her troublesome pet. (Picture book. 4-8)
Pub Date: April 1, 1999
ISBN: 0-316-07309-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
This latest Froggy title (Froggy Goes to School, 1996, etc.) is utterly unfocused, with the star careening from soccer dolt to Mr. Superkick. Froggy’s team has a big game coming up with the Wild Things, and he is trying to remember the mantra his father, and assistant coach, taught him: “Head it! Boot it! Knee it! Shoot it! But don’t use your hands!” But illegally touching the ball seems to be the least of Froggy’s worries; distraction is his problem. He is so busy turning cartwheels, tying his shoes, and more, that the only time he makes contact with the ball is when it bounces off his head by mistake. Then, when the Wild Things make a breakaway, Froggy has some dazzling moves to avert a score, but forgetfully grabs the ball at the last second. The other team gets a penalty kick, converts it, but then Froggy makes a field-long kick for a game-winning score. London forces Froggy into too many guises—the fool, the hero, the klutz, the fancy dancer—but none of them stick. Remkiewicz’s illustrations have charm; it is in their appeal that this book will find its audience. (Picture book. 2-6)
Pub Date: March 1, 1999
ISBN: 0-670-88257-7
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
From Johnston (An Old Shell, 1999, etc.), poetic phrases that follow a ghostly barn owl through days and nights, suns and moons. Barn owls have been nesting and roosting, hunting and hatching in the barn and its surroundings for as long as the barn has housed spiders, as long as the wheat fields have housed mice, “a hundred years at least.” The repetition of alliterative words and the hushed hues of the watercolors evoke the soundless, timeless realm of the night owl through a series of spectral scenes. Short, staccato strings of verbs describe the age-old actions and cycles of barn owls, who forever “grow up/and sleep/and wake/and blink/and hunt for mice.” Honey-colored, diffused light glows in contrast to the star-filled night scenes of barn owls blinking awake. A glimpse into the hidden campestral world of the elusive barn owl. (Picture book. 4-8)
Pub Date: Feb. 1, 2000
ISBN: 0-88106-981-7
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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