Twenty-six years after his award-winning debut (The Beasts, 1966), Garrett delivers this grim second novel about incest and its consequences for mother and child. Willa Rhineman, an unschooled, 16-year-old country girl from Pineville, New Jersey, has just buried her grandmother Lydia in the woods and is leaving for the city to look for her long-lost mother Madeleine. It's 1980, but the sonorous prose suggests a time even earlier than 1947, the year Lydia Wier hired Emil Rhineman as her handyman. Emil is a weak, fearful, fitfully charming ladies' man who turns violent when drunk; Lydia is a strong, undemonstrative, religious-minded control freak, determined to tame Emil's ``darkly fluctuant character,'' even if it means marrying him. Their daughter Madeleine is hated by Lydia and adored by Emil, quite innocently at first; but on her 15th birthday, on a day trip to Atlantic City, he deflowers her. When she gives birth to Willa, she will not acknowledge the baby beyond breast-feeding it. Soon after, she gravitates to the city and (having zero self-esteem) to a hip black lover guaranteed to treat her mean; after him comes a Valium habit and a suicide attempt, until she disappears into thin air in 1967. Willa tracks down her mother's old cronies, pathetic Sixties ghosts like the heroin-addicted lesbian pimp Mary Vandel, but finds nothing of her mother except her journal; then, in an idiotic trick ending, she solves the riddle of Madeleine's disappearance and promptly kills herself, getting it right the first time, unlike Emil or Madeleine: game, set, and match to death. Save for a scattering of powerful moments, an unenjoyable and disorienting read, as we are bounced between three time-periods, four principals (all of them victims, according to Garrett's iron determinism), and a variety of influences, ranging from Dreiser early on to a medley of Purdy, West, and Baldwin in the scenes of big-city decadence.
Pub Date: June 17, 1992
ISBN: 0-06-016880-3
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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