by Leslie Kimmelman ; illustrated by Timothy Banks ‧ RELEASE DATE: Nov. 1, 2018
Regardless of the monsters’ rather sudden turnabout, Frankenstein models self-assurance and kindness, both of which are much...
No matter how much the other monsters tease him, Frankenstein is “comfortable in his own green skin.”
All the monsters are preparing for the Valentine’s Day Bash, but even though Frankenstein (the monster, not the doctor) is wearing his “worst tuxedo,” “crookedest smile,” and droopiest flower, the other monsters tease him: “Just two eyes!” “No tail.” “And he’s nice….Blech!” Indeed he is. He retrieves a child’s muddy toy, compliments others even when they are unkind to him, and helps out a skeleton who has fallen apart. But kindness isn’t the only storyline here. Frankenstein becomes smitten with Belcher, a monster he’s never met before, and she feels the same, slipping a valentine in his pocket asking him to be hers. The other monsters don’t understand what she sees in him. “I’ve never met a friendly monster before,” she enthuses. “He’s my kind of monster!” And just like that, the other monsters see Frankenstein’s kindness as a positive quality and finally accept him. Banks’ digital illustrations go overboard (in a good way) in portraying the gruesome and grotesque, and small details in the spreads will delight careful observers. The bright palette features some almost-fluorescent shades, and his monsters are definitely a diverse bunch.
Regardless of the monsters’ rather sudden turnabout, Frankenstein models self-assurance and kindness, both of which are much needed. (Picture book. 4-8)Pub Date: Nov. 1, 2018
ISBN: 978-1-5124-3129-2
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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