by Leslie Kimmelman ; illustrated by Stefano Tambellini ‧ RELEASE DATE: March 1, 2013
Nevertheless, it fills a gap in the marketplace, hopefully paving the way for stronger fare.
Not even the worthy subject matter can overcome the herky-jerky writing in this rare glimpse into everyday Jewish life.
Over four short chapters, a boy and a girl become good friends in spite of misunderstandings. When Sam overhears that the new kid next door is named Charlie, he’s initially thrilled to find a playmate. To his surprise, he discovers that both Charlie and her little sister Sam (or “Sam Too”) are girls. That makes little difference, though, since Charlie’s a stellar buddy. The chapter on “Sharing” tests that new friendship when both Sam and Charlie crave the last prune hamentaschen. They’re closer after Sam aims to cheer up Charlie on “Sick Day,” but “The Bad Haircut” undoes that good with a callous comment. Finally on “I’m Sorry Day,” aka Yom Kippur, the two apologize, and hilarity ensues. The text’s level of difficulty is ideal for the emerging reader taking baby steps into chapter books, but even the great subject matter (the everyday lives of Jewish kids) can’t make up for abrupt transitions between those chapters, lines like “Friendship is the best medicine,” and odd lessons on losing on purpose to keep a friendship going. Tambellini’s illustrations complement the action beautifully but cannot save the weak writing.
Nevertheless, it fills a gap in the marketplace, hopefully paving the way for stronger fare. (Early reader. 6-8)Pub Date: March 1, 2013
ISBN: 978-0-8075-7213-9
Page Count: 48
Publisher: Whitman
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Lindsay Bonilla ; illustrated by Mark Hoffmann ‧ RELEASE DATE: March 14, 2023
Amusing but a little off tempo.
It’s important to hit all the right notes.
A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)
Amusing but a little off tempo. (glossary) (Picture book. 6-8)Pub Date: March 14, 2023
ISBN: 978-1-64567-631-7
Page Count: 32
Publisher: Page Street
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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by Lindsay Bonilla ; illustrated by Noar Lee Naggan
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by Lindsay Bonilla ; illustrated by Eleonora Pace
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by David Goodner ; illustrated by Andrea Tsurumi ‧ RELEASE DATE: Oct. 27, 2020
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
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