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THE MAN DANCE

An unnerving but highly readable historical novel about a troubled teen.

Rollins’ (Good-Time Girl, 2019) historical novel tells the story of a troubled, talented English boy’s coming-of-age in the 1960s.

As a small child, George Carveth grows up on the Cornish coast surrounded by family, although some of his relatives disapprove of the ballet class that he attends: “Strange he was the only male child there. Some of the boys in the neighborhood didn’t want George playing football anymore, which was batty….The adults decided this ‘Frenchy dancing’ had gone far enough.” When his father gets an offer of a new job in London, his parents move to the city while 10-year-old George is sent to a posh boarding school. There, the other students make fun of his accent, and a bigoted member of the faculty takes exception to George’s partial Indian ancestry. He’s seemingly befriended by one of his schoolmasters, Mr. Wilburn, but the man quickly reveals his true intentions by asking George to dance naked for him. The teacher’s sexual abuse of the boy coincides with a split in George’s personality: the cautious, everyday George and the secretive “Shadow George,” which he sees as his “bad self." As Shadow George increasingly makes decisions for him, the 14-year-old dances on a lark before his classmates while "lightly clad," and makes aggressive advances toward younger students. One of his uncles, who recognizes George’s talent for singing, dancing, and impressions, encourages his parents to contact a talent scout, so George meets a pair of Americans named Jack and Jill Stuart. With their encouragement—particularly that of Jill, to whom the teenager takes a special fancy—George begins to hone his craft and embark on a career in entertainment. The 15-year-old continues to struggle with his confused sexual feelings as he pines for Jill and as Jack makes sexual overtures. As the boy reaches his later teens and success in the arts appears within reach, Shadow George threatens to cause more trouble. Over the course of this novel, Rollins’ prose is nimble and ornately textured, evoking the landscapes of Cornwall and London with painterly skill. Her characters are drawn even more finely, as each is revealed to be a knotted web of conflicting instincts and beliefs. Her treatment of sexuality—and the predatory advances of adults and older children—is particularly sharp. At one point, George reveals Wilburn’s actions to his older cousin Timmy, who says that he regularly exposes himself to a Norwegian sailor in exchange for a penny. The cousin remarks that there are “Odd ducks in the world…I’ve met a few. No one ever tells you.” Apart from these moments, however, the book has a very traditional feel; indeed, Rollins lays out her story at a leisurely pace that sometimes drags, and the plot’s shape is somewhat easy to predict. Still, Rollins has assembled an array of broken people who are compelling, even as they destroy one another, and she manages to capture a horrific side of humanity.

An unnerving but highly readable historical novel about a troubled teen.

Pub Date: Feb. 6, 2019

ISBN: 978-1-79572-477-7

Page Count: 394

Publisher: Time Tunnel Media

Review Posted Online: July 25, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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