Struggles with structural issues but still shines thanks to its compelling (albeit enormous) cast and vividly constructed...
A colorful world of actors and outlaws comes to life in a debut historical novel from Rivers.
Sixteen-year-old Emma Lightfoot lives in 1856 Placerville, California, one of many towns spawned by the gold rush. Her mother and siblings are dead, but she adores her father and closest companion, C.E. “Emmett” Lightfoot. They write and print the local newspaper, the Placerville Rattler, and at the book’s opening, they both look forward to attending and reviewing the touring Star Troupe’s play featuring Edwin “Ted” Booth, son of renowned actor Junius. But tragedy strikes when Emmett gets a splinter that becomes infected. Within a matter of days, Emma is the sole living Lightfoot. Saddled with her father’s secret debts, Emma tries to turn a one-day gig as the theater company’s washerwoman into a seasonlong engagement, and the troupe’s iron-willed but kind co-manager, Hattie Burnham, brings her on after a strange fire destroys much of Placerville. Emma’s new theatrical “family” includes brooding and handsome Booth; Hattie and her loutish husband, Ben; charming and privileged Harry; coquettish teen actress Sophie; 7-year-old “Fairy Star” Louise; and other eccentrics. The troupe tours the camps and towns of the Sierra Nevada foothills, experiencing great triumphs—largely thanks to Booth’s creative brilliance—and enormous setbacks. Most troublingly of all, a string of destructive fires points to a possible “firebug” in the troupe’s ranks. The novel’s large, colorful supporting cast demands readers’ engagement. Each character is distinct and troubled in his or her own way, such as Emma’s resilient best friend Evangeline’ turning to prostitution after her parents’ death; Hattie’s battling about finances with her gambling husband; or Booth’s struggling with the shadow of his famous father. Secondary characters, in fact, sometimes outshine Emma, who more than once quietly eavesdrops on explosive conflicts in the personal lives of people around her. The story lacks a proper climax, but several scenes and plotlines stand out for their tension and intrigue—a section describing a rescue attempt during a massive, town-consuming fire is knuckle-whitening.
Struggles with structural issues but still shines thanks to its compelling (albeit enormous) cast and vividly constructed world.Pub Date: N/A
ISBN: 978-0-9998514-0-1
Page Count: 402
Publisher: Sierra Muses Press
Review Posted Online: Sept. 26, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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