Shimotakahara displays virtuosity in this subtle deconstruction of one family’s tainted origins.

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RED OBLIVION

An architect returns home during a family crisis and uncovers devastating secrets about the father she thought she knew.

Novelist Shimotakahara (After the Bloom, 2017, etc.) tells a heartbreaking story in which the past haunts the present and bleeds into the future. Jill Lau, an architect living in Toronto, returns to Hong Kong with her sister, Celeste, to hold vigil at the bedside of their dying father. Ba, an iron-willed but distant patriarch, is a wealthy man with impoverished beginnings in Guangzhou, China. He never revealed how he found his way to Hong Kong after the Cultural Revolution or what he had to do to climb out of poverty. His hidden past invades his hospital room just when he is becoming too weak to fight the old battles. "The past, or his memory of the past, is largely absent, drained of emotion. All that remains are a few cold images. Where one expects to find yearning, one confronts instead a desire not to look at anything too closely.” Celeste returns to Canada, but Jill stays on in the family apartment. She becomes curious about her father’s background when a mysterious package arrives. Jill eventually returns to the distant village where everything changed when her father made desperate choices and settled long-simmering grudges. Shimotakahara is adept at portraying the otherness of living in two worlds while belonging to neither. She deftly articulates the many ways human beings can justify wrongdoing if it leads to a good outcome, describing the inconceivable with nuance while conveying both shock and banality.

Shimotakahara displays virtuosity in this subtle deconstruction of one family’s tainted origins.

Pub Date: Oct. 15, 2019

ISBN: 978-1-4597-4521-6

Page Count: 304

Publisher: Dundurn

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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To use the parlance of the period, a highly relevant retrospective.

SUMMER OF '69

Nantucket, not Woodstock, is the main attraction in Hilderbrand’s (Winter in Paradise, 2018, etc.) bittersweet nostalgia piece about the summer of 1969.

As is typical with Hilderbrand’s fiction, several members of a family have their says. Here, that family is the “stitched together” Foley-Levin clan, ruled over by the appropriately named matriarch, Exalta, aka Nonny, mother of Kate Levin. Exalta’s Nantucket house, All’s Fair, also appropriately named, is the main setting. Kate’s three older children, Blair, 24, Kirby, 20, and Tiger, 19, are products of her first marriage, to Wilder Foley, a war veteran, who shot himself. Second husband David Levin is the father of Jessie, who’s just turned 13. Tiger has been drafted and sends dispatches to Jessie from Vietnam. Kirby has been arrested twice while protesting the war in Boston. (Don’t tell Nonny!) Blair is married and pregnant; her MIT astrophysicist husband, Angus, is depressive, controlling, and deceitful—the unmelodramatic way Angus’ faults sneak up on both Blair and the reader is only one example of Hilderbrand’s firm grasp on real life. Many plot elements are specific to the year. Kirby is further rebelling by forgoing Nantucket for rival island Martha’s Vineyard—and a hotel job close to Chappaquiddick. Angus will be working at Mission Control for the Apollo 11 lunar landing. Kirby has difficult romantic encounters, first with her arresting officer, then with a black Harvard student whose mother has another reason, besides Kirby’s whiteness, to distrust her. Pick, grandson of Exalta’s caretaker, is planning to search for his hippie mother at Woodstock. Other complications seem very up-to-date: a country club tennis coach is a predator and pedophile. Anti-Semitism lurks beneath the club’s genteel veneer. Kate’s drinking has accelerated since Tiger’s deployment overseas. Exalta’s toughness is seemingly untempered by grandmotherly love. As always, Hilderbrand’s characters are utterly convincing and immediately draw us into their problems, from petty to grave. Sometimes, her densely packed tales seem to unravel toward the end. This is not one of those times.

To use the parlance of the period, a highly relevant retrospective.

Pub Date: June 18, 2019

ISBN: 978-0-316-42001-3

Page Count: 432

Publisher: Little, Brown

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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A unique story about Appalachia and the healing power of the written word.

THE BOOK WOMAN OF TROUBLESOME CREEK

One of Kentucky’s last living “Blue People” works as a traveling librarian in 1930s Appalachia.

Cussy Mary Carter is a 19-year-old from Troublesome Creek, Kentucky. She was born with a rare genetic condition, and her skin has always been tinged an allover deep blue. Cussy lives with her widowed father, a coal miner who relentlessly attempts to marry her off. Unfortunately, with blue skin and questionable genetics, Cussy is a tough sell. Cussy would rather keep her job as a pack-horse librarian than keep house for a husband anyway. As part of the new governmental program aimed at bringing reading material to isolated rural Kentuckians, Cussy rides a mule over treacherous terrain, delivering books and periodicals to people of limited means. Cussy’s patrons refer to her as “Bluet” or “Book Woman,” and she delights in bringing them books as well as messages, medicine, and advice. When a local pastor takes a nefarious interest in Cussy, claiming that God has sent him to rid society of her “blue demons,” efforts to defend herself leave Cussy at risk of arrest, or worse. The local doctor agrees to protect Cussy in exchange for her submission to medical testing. As Doc finds answers about Cussy’s condition, she begins to re-examine what it means to be a Blue and what life after a cure might look like. Although the novel gets off to a slow start, once Cussy begins traveling to the city for medical testing, the stakes get higher, as does the suspense of the story. Cussy's first-person narrative voice is engaging, laced with a thick Kentucky accent and colloquialisms of Depression-era Appalachia. Through the bigotry and discrimination Cussy suffers as a result of her skin color, the author artfully depicts the insidious behavior that can result when a society’s members feel threatened by things they don't understand. With a focus on the personal joy and broadened horizons that can result from access to reading material, this well-researched tale serves as a solid history lesson on 1930s Kentucky.

A unique story about Appalachia and the healing power of the written word.

Pub Date: May 7, 2019

ISBN: 978-1-4926-7152-7

Page Count: 320

Publisher: Sourcebooks Landmark

Review Posted Online: Feb. 28, 2019

Kirkus Reviews Issue: March 15, 2019

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