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BEDTIME FOR BEASTIES

A solid but unexceptional rhyming story about conquering one’s nighttime fears.

In a surreal dreamscape filled with colorful monsters, a child’s initial fright turns to whimsy upon realizing they are in control of their own destiny.

A pajama-clad child and T. Rex sidekick suddenly appear in a dark, foreboding landscape, watched by eyes hidden among the plants. But as monsters and fairies emerge, so does a…Harley Davidson? The child-narrator quickly understands that this is just a dream, and in rhyming couplets, the story turns fanciful as the child starts to boss the monsters around. Soon, they are working on a Hollywood-style movie with the monsters as the cast and crew, the child as director, and dino as assistant. Finally, they collapse in a tired heap, leaving the child back in bed, snuggling with the stuffed dino. It takes a few pages for the poetry to find its stride, as if the frightening first spreads were not part of the text proper. Staub also initially plays with language, delaying the rhyme with a page turn or pre-empting an obvious rhyme with a surprise word. However, these fillips are more distracting than clever, and it isn’t until the poetry (and the protagonist’s confidence) finds its stride that the book begins to charm. Illustrator Liu’s digital art looks hand-drawn, with a childlike sense of play that conveys the humor. The child has light skin and straight, black hair cut in a pageboy.

A solid but unexceptional rhyming story about conquering one’s nighttime fears. (Picture book. 4-8)

Pub Date: Feb. 12, 2019

ISBN: 978-1-59078-930-8

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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LOVE MONSTER

This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

Monster lives in Cutesville, where he feels his googly eyes make him unlovable, especially compared to all the “cute, fluffy” kittens, puppies and bunnies. He goes off to find someone who will appreciate him just the way he is…with funny and heartwarming results.

A red, scraggly, pointy-eared, arm-dragging monster with a pronounced underbite clutches his monster doll to one side of his chest, exposing a purplish blue heart on the other. His oversized eyes express his loneliness. Bright could not have created a more sympathetic and adorable character. But she further impresses with the telling of this poor chap’s journey. Since Monster is not the “moping-around sort,” he strikes out on his own to find someone who will love him. “He look[s] high” from on top of a hill, and “he look[s] low” at the bottom of the same hill. The page turn reveals a rolling (and labeled) tumbleweed on a flat stretch. Here “he look[s] middle-ish.” Careful pacing combines with dramatic design and the deadpan text to make this sad search a very funny one. When it gets dark and scary, he decides to head back home. A bus’s headlights shine on his bent figure. All seems hopeless—until the next page surprises, with a smiling, orange monster with long eyelashes and a pink heart on her chest depicted at the wheel. And “in the blink of a googly eye / everything change[s].”

This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

Pub Date: Dec. 31, 2013

ISBN: 978-0-374-34646-1

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 17, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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SHE WANTED TO BE HAUNTED

Not necessarily just for Halloween; readers can appreciate it any time.

Which cottage would stand out more in a real estate ad: cute or…haunted?

Clarissa the sentient cottage dislikes cuteness; as a pink, adorable haven for flowers and squirrels, she’s bored. She yearns to be scary and haunted like her father, a gloomy castle, and her mother, a smelly, vermin-infested witch’s hut. Dad gladly donates clouds but tells Clarissa it’s OK to be herself. The clouds are a bust because they bring rain, which brings forth…a rainbow, plants, and birds. Mom supplies a reeking bottle whose contents allegedly repel living things. Clarissa opens it but…attracts playful dogs. Finally abandoning her desire for a ghostly boarder, Clarissa invites her animals to remain. At the end, a particular creature’s unexpected arrival—and its most uncharacteristic behavior—reveal Clarissa’s true nature: horrible and cute. And she’s just fine with that. This rhyming story is certainly an unusual take on the finding-oneself trope. The bouncy verses mostly read and scan well, include sophisticated vocabulary, and provide Clarissa with a spunky, appealing personality. Different typefaces represent the voices of Clarissa, each parent, and the narrator. The cheerful, lively illustrations are very colorful but a trifle twee; Clarissa and her parents are differentiated through vivid pinks, dreary shades, and anthropomorphic faces. Nature blossoms via bright depictions of flowers, trees, animals, and birds.

Not necessarily just for Halloween; readers can appreciate it any time. (Picture book. 4-7)

Pub Date: July 7, 2020

ISBN: 978-1-68119-791-3

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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