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Marcel Malone

Name: Marcel Malone
Author: Lew Watts
ISBN: 978-0-9973102-2-1

by Lew Watts ‧ RELEASE DATE: Oct. 23, 2016

A slow, but ultimately rewarding tale of a lonely psychologist and her poetic client.

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A novel examines a clinical psychologist, the healing power of verse, and a journey to self-discovery.

Life for Vera Lewis is unsatisfying. A typical evening begins with too many glasses of Chablis and ends with “clearing up dishes and misunderstandings with Raymond,” her egocentric Washington lobbyist spouse. After one client commits suicide and another is convicted of violent crimes, she questions her merit as a psychologist. She’s unable to connect with those around her, and conversations with friends and co-workers are brimming with thoughts unsaid. In short, Vera longs for more: “I would like to be filled with passion, for my work, my husband, to feel a constant tingle in my hands as though I were touching skin.” The only person who can break through the monotony is Marcel Malone, a painfully shy client who expresses himself through sonnets, haiku, and carefully metered speech. In an effort to better understand him, Vera, too, immerses herself in the world of poetry. Watts (Lessons for Tangueros, 2011) is a Ph.D., and this is where his background in academia bleeds through. Disappointed at the selections in a certain anthology or a dull chapter that she had to skim through, Vera embarks on one-sided arguments with scholars that read like a review of literature. In the midst of her adventures in verse, Vera is increasingly haunted by her past and disenchanted with her marriage, becoming dependent on sessions with Marcel. Jealous of his gradual recovery, she spirals into near-alcoholism, solitude, and self-doubt. At times, it can be hard to empathize with Vera. She is reserved, formal, and relentlessly analytical. Her world is one of white affluence—lunches at exclusive restaurants, bottles of expensive wine, showy dinner parties, and friends who are World Bank executives. But she is vindicated in the book’s final chapters, which offer a glimpse into life’s beauty and the opportunities for redemption. A dense and loaded work of fiction, this cerebral novel should certainly appeal to intellectuals and fans of feminist literature.

A slow, but ultimately rewarding tale of a lonely psychologist and her poetic client.

Pub Date: Oct. 23, 2016

ISBN: 978-0-9973102-2-1

Page Count: 282

Publisher: Red Mountain Press

Review Posted Online: Nov. 29, 2016

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.