First novel set in northernmost Japan in 1903, when war is brewing with Russia. The impending war, however, seems to have little to do with Libby's protagonist, an apprentice innkeeper named Setsuo, usually referred to as ``the youth.'' While the youth's master is gone, a terrible blizzard sets in and a motley crew is snowbound, including the various exotic members of a theatrical troupe. A bearded man and a hunter also prepare to enter the inn, but at the last moment plunge onward in the storm. Their action seems suicidal, and, partly to impress a young woman in the troupe, Yukiku, and partly out of genuine concern, the youth chases after them. He witnesses the bearded man's murder of the hunter, but the bearded man spares the youth and tries to warn him of something. The youth in turn, warming his hands on the dead man's body, takes his purse and discovers a mysterious box. Murders ensue, as well as a quite literally steamy scene as the youth spies upon Yukiku in the inn's hot spring. Though questioned insistently by members of the troupe, the youth stubbornly denies knowledge of the box, thinking he could be linked to the theft of the dead man's purse. The youth is beaten and left for dead, then befriended by a samurai in league with the bearded man. The theatrical troupe are spies, it develops, and Yukiku an enemy seductress. The bearded man is a loyalist who returns with spring to explain that the youth has been a true patriot, shielding his country's war plans. ``Arise. You are reborn,'' the bearded man says. The youth accepts a reward and leaves the inn, his apprenticeship at an end. Mostly atmosphere, but it's a satisfyingly romantic atmosphere, like that of an old, swashbuckling boys' novel dropped down in Japan, with a dash of Yukio Mishima for good measure.
Pub Date: Sept. 1, 1996
ISBN: 1-55597-245-4
Page Count: 248
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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