TONIGHT IS ALREADY TOMORROW

A Jewish family wades through World War II–era Italy.

At the core of Levi’s latest novel is a family: Alessandro, a young boy, his parents, grandfather, aunt, and uncle. Alessandro might be a genius; he’s certainly precocious, skipping several grades before he seems to plateau. But while he’s the apple of his childless aunt’s eye, Alessandro can never seem to please his mother. These are difficult years all around. Italy has enacted its infamous “Racial Laws,” and Alessandro soon finds himself exiled, with his parents, to a remote village. Then, as the Germans invade, they struggle to escape Italy altogether. Levi has a lot on her plate here: a historical novel tied to a family saga tied to a psychological portrait of a boy who might or might not be a prodigy. Alessandro would have made a fine focal point for the novel, but Levi seems to lose interest in him. She flits from one character to another without resting. That means, unfortunately, that none of the characters really come alive, and we never learn why Alessandro’s mother is so permanently disappointed or why his grandfather is so annoyed by his own daughters. Too many minor characters clutter these pages, and while some of them occasionally reappear, others only show up once before disappearing. Levi has a fluid style and a clear talent for storytelling, but this novel, at least, is not particularly successful.

Interesting in parts, Levi’s book asks more questions than it seems prepared to answer.