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THE HYPNOTIST'S LOVE STORY

Amazingly, the effervescent comedy and troubling melodrama combine to create a satisfying beach read, escapist but not...

Australian Moriarty (What Alice Forgot, 2011, etc.) has managed to combine an infectiously lighthearted romance about a Sydney hypnotherapist with a potentially upsetting examination of a stalker’s interior life.

In the first scene, an unnamed narrator has come for treatment for mysterious leg pains at the home of the eponymous heroine, Buddhist-leaning but not stereotypically New-Agey Ellen, who uses her powers of hypnotic persuasion to solve other people’s problems. Unfortunately, Ellen has been less successful solving her own problems in maintaining relationships. Then she meets surveyor Patrick, a widower, and the rapport is immediate. The romance proceeds swimmingly. Ellen even hits it off with Patrick’s 8-year-old son, Jack. There is only one little hitch: Patrick is being stalked by his ex-girlfriend Saskia, who turns out to be the leg pain patient. Chapters take turns showing Ellen’s and Saskia’s perspectives as events unfold. Ellen, whose self-professed goal in life is self-awareness, tends to overanalyze, but she is also endearingly honest in rooting out her true feelings. Saskia’s way of showing up and knowing everything about Ellen's and Patrick’s lives creeps her out, but Ellen also finds herself wanting to understand Saskia, especially when Ellen acknowledges her own reaction to Patrick’s lingering feelings for his dead wife. She is even drawn toward a gray ethical area in deciding whether to use her powers of suggestion on Patrick. But Saskia is the novel’s unexpected heart. Moriarty makes it clear why Patrick, who is refreshingly imperfect as a secondhand Prince Charming, finds Saskia a threatening presence in his life. How far she might go is worrisome. But like Ellen, readers will be drawn to Saskia. She is a predator but also a deeply troubled woman. Moriarty makes sure that any woman who has ever compared herself to a lover’s ex or Googled an ex of her own will identify to some degree with Saskia’s struggle to overcome what she recognizes is an unhealthy obsession.

Amazingly, the effervescent comedy and troubling melodrama combine to create a satisfying beach read, escapist but not unintelligent.

Pub Date: June 14, 2012

ISBN: 978-0-399-15910-7

Page Count: 416

Publisher: Amy Einhorn/Putnam

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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