by Lianne Dillsworth ‧ RELEASE DATE: July 16, 2024
This historical novel offers an unusual situation, but the trappings of the story are not as fresh.
A young Black woman in 19th-century London takes a job as a dying white man’s nurse and becomes an amateur detective.
In 1833, Hester Reeves arrives for the first day of a new job at a foreboding mansion called Tall Trees. Hester is 23, a free Black woman who uses the title “doctoress” to indicate her skills as an herbalist. Up to now, she has used those skills mainly to treat the city’s sex workers at King’s Cross, with the support of her kind husband, Jos. Hester’s mother has died, leaving her to care for Willa, her pretty and headstrong younger sister. Willa’s factory job has brought her to the attention of her rakish boss, and Hester wants to move her family out of the city, farther from such temptations. So she jumps at the chance to undertake the care of the wealthy Gervaise Cherville for a month, as he settles his affairs before moving to his country estate to live out his last days. Hester’s skills are suitable—Gervaise is dying of syphilis—and the pay generous enough to finance a move. She soon discovers Gervaise wants something more from her. Years ago, he brought several enslaved women from his family’s plantation in Honduras to London. They escaped, but he is haunted by them and wants Hester’s help to find out their fates. She proves to be a good detective, but her discovery of what happened to the women could ruin lives. Complicating the situation are Gervaise’s sternly protective housekeeper, Margaret, and his son, Rowland, the very man Hester hopes to distance Willa from, who is eager to get his hands on his father’s estate. The plot has some interesting turns, and Gervaise’s situation as an enslaver coming to terms with his behavior has potential. But the book suffers from stereotypes and limited character development; Hester is so unfailingly upright she can come off as priggish, while Rowland is such a stereotypical villain he almost twirls a mustache. But with brisk pacing and plentiful historical detail, it’s still an entertaining read.
This historical novel offers an unusual situation, but the trappings of the story are not as fresh.Pub Date: July 16, 2024
ISBN: 9780358627920
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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BOOK REVIEW
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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