A light and amusing whodunit that proves time spent in the company of the heroine is time well spent indeed.
Stella Reynolds investigates a pair of murders in this latest installment of Kirsch’s (The Big Interview, 2016, etc.) chick-lit mystery series.
Book 3 finds the intrepid reporter and amateur detective on the trail of a major drug ring in Knoxville, Tennessee. Stella has moved up the journalism food chain, enjoying a good job in a larger market. She doesn’t have to carry her own TV equipment, and she is far more comfortable with those tricky live shots. Outside of work, Stella is living with her old friend Janet Black, across town from ex-boyfriend John, and still considering her options with former flame and NASCAR driver Lucky Haskins. When Stella covers an overnight shift that morphs from a house fire to a murder, she soon finds herself on a complicated and dangerous case. Two homicides in one night appear to be connected, and the suspect who’s in jail may not be the guilty party. An anonymous tipster pushes Stella to look deeper at the killings, and it becomes apparent that Knoxville’s low crime rates are an illusion. Widespread drug and gang problems lie just below the surface, and government officials, detectives, and leading business owners are all on the take. Kirsch’s third Stella Reynolds mystery still feels fresh and fun. Though the narrative follows a predictable format—what seems to be a straightforward crime is a coverup with larger ramifications—it is still enjoyable to watch the mystery unravel. Kirsch’s leading lady remains a funny and relatable heroine. Her plucky attitude and aptitude for stumbling into sticky situations are pleasantly reminiscent of Janet Evanovich’s popular Stephanie Plum character. Roommate Janet provides an amusing, if somewhat clichéd, tough-nut foil to Stella’s optimism and do-gooder spirit. Stella’s love life is relevant but on the periphery, allowing the focus to remain on the case. One of the strongest facets of Kirsch’s series is her insider knowledge of journalism and TV reporting, which lends a feeling of authenticity to the plot and puts a unique spin on the cozy mystery genre.
A light and amusing whodunit that proves time spent in the company of the heroine is time well spent indeed.Pub Date: Oct. 30, 2016
ISBN: 978-0-9969350-3-6
Page Count: 300
Publisher: Sunnyside Press
Review Posted Online: Feb. 17, 2017
Kirkus Reviews Issue: March 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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