by Liesbet Slegers ; illustrated by Liesbet Slegers ‧ RELEASE DATE: Oct. 1, 2014
Surprisingly, a book for little ones consisting of four chapters is a developmentally appropriate winner.
In this compilation originally published as four separate books, a toddler takes readers through a first-person account of a typical day.
In four different vignettes, each with simple chapter headings (“Eating,” “Playing,” “Bathing” and “Sleeping”), a Caucasian tyke, likely male, demonstrates the activities involved in his daily routine. While the text is direct and may strike some as dry, it models talking strategies that are effective in promoting language development: “This is my cup. My cup is filled with water. Look! I am holding my cup with two hands.” The double-page spreads highlight one object on the left-hand page and place the object in a wider scene on the right with the youngster often demonstrating its use. Slegers’ brightly colored cartoons outlined in bold black lines charm, managing to be infinitely recognizable without being boring. The companion, Me and the Seasons, follows the same tot through the four seasons of the year, also working nicely as a bound quartet. The size and shape of both offerings suggest a board book, but the internal pages are thick card stock with rounded corners.
Surprisingly, a book for little ones consisting of four chapters is a developmentally appropriate winner. (Board book. 6-18 mos.)Pub Date: Oct. 1, 2014
ISBN: 978-1-60537-191-7
Page Count: 64
Publisher: Clavis
Review Posted Online: Oct. 5, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Shoshana Chaim ; illustrated by Lori Joy Smith ‧ RELEASE DATE: April 13, 2021
A soothing, logical, and playful introduction to mindfulness for young listeners.
What can you do when things go wrong?
Two children contemplate different ways to calm themselves down in this straightforward introduction to breathing, relaxation, and mindfulness. The younger, White-presenting child follows suit when the older, brown-skinned child proposes imaginative calming techniques. They picture themselves as various animals (goldfish, elephants, dragons) and objects (pinwheels, dandelions, wind chimes, flowers), inhaling and exhaling, that make deep breathing and calming down concrete and easy to comprehend. Simplified, whimsical illustrations add a touch of humor and a wink to the 1970s while preventing the story from becoming cloying, as soft, gentle instructions help the characters (and listeners) to understand some of the mechanics behind how to intentionally breathe and decompress. While not necessarily something that children will pick up unless they are learning about practicing mindfulness, this informative title has charm and warmth and will give youngsters some ideas as to how to self-regulate and manage their feelings as they learn to be aware of their breathing. Endpapers feature a multiracial array of children’s faces expressing different emotions.
A soothing, logical, and playful introduction to mindfulness for young listeners. (author's note) (Picture book. 3-6)Pub Date: April 13, 2021
ISBN: 978-1-77164-637-6
Page Count: 48
Publisher: Greystone Kids
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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